By: Addison Wylie The T24 project – a challenge in association with the Toronto Youth Shorts Film Festival – asks filmmakers to create, produce, edit, and hand in a short film within 24 hours. Teams are given a lengthy essay question about the chosen theme, and are then sent off into the city. I remember the days of attending T24 screenings and feeling excited to tell others about the great shorts that screened. With prior…
By: Addison Wylie 360 Screenings is quickly becoming one of Toronto’s hottest ticket events for film lovers. Founders Ned Loach and Robert Gontier have built immersive experiences throwing audiences into the world of a secret movie and then revealing the mystery at an undisclosed location with a vast heritage. When you pay for a ticket, you enlist your trust into Loach and Gontier to bring the goods. That said, they have always managed to bring…
By: Addison Wylie Tali Barde’s feature film debut For No Eyes Only is set as a tense thriller adding a modern twist to Alfred Hitchcock’s Rear Window. It doesn’t come through on being a thriller. Instead, it’s accidentally profound. What I admired most about For No Eyes Only is Barde’s perceptual take on modern day voyeurism without being too on the nose. Sam (a mopey loner played convincingly by newcomer Benedict Sieverding) suffers from a…
By: Addison Wylie The start of the year showed Toronto movie goers a more fabulous side of Baltimore, Maryland in the crowd pleasing doc I Am Divine. As January wraps itself up, those same audiences are let in to Baltimore’s inner-city brew with Lotfy Nathan’s documentary 12 O’Clock Boys. The 12 O’Clock Boys earned their name by notoriously buzzing around busy streets on dirt bikes and carrying out wheelies that appeared to hold a near 90-degree angle….
By: Addison Wylie The Final Member – an outrageous documentary from filmmakers Jonah Bekor and Zach Math – is cheekily strange and hilariously honest. I half expected mockumentary legend Christopher Guest to come running out at any moment. There’s no way this documentary about the world’s lone penis museum could be real. Fortunately, it is. And, don’t be surprised if this fascinating film becomes one of your favourite docs of the new year. Not since…
By: Addison Wylie In an attempt to bounce back from mediocre midnight madness with The Visitor, Drafthouse Films returns with another remastered cut of a cult movie. Maybe the third time will be the charm for these cinema aficionados who are desperate to shed light on obscurity. In the meantime, we have this re-release of Abel Ferrara’s robotic Ms. 45. It’s grindhouse exploitation through and through, and maybe movie goers will get some sort of…
By: Addison Wylie Drafthouse Films has taken Giulio Paradisi’s director’s cut to his very strange 1979 sci-fi flick The Visitor and are unleashing it to the public in a newly remastered mode. There are a lot of uncanny compositions of malificent behaviour that especially punch out. These set a tone incredibly fast and have the power to make you immediately feel at unease. Confusion runs rampant throughout The Visitor, and for the most part, it’s…
By: Addison Wylie Antisocial is middle-of-the-road fare, which I’m sure director/co-writer Cody Calahan doesn’t want to hear. He wants his film to act as a commentary for how immersed we are with technology and social media. In order to drive home the social satire, he and co-writer Chad Archibald use networking devices as a means to drag the living to a state of infection. Tech junkies start to hallucinate and graphically bleed out of the…
By: Addison Wylie It’s appropriate that If I Were You’s climax includes a theatrical production because Joan Carr-Wiggin’s film is a full-on farce that would play well on stage. When I say “farce”, I mean a comedy of errors set at Defcon 4. This is the type of film where someone ties a noose around their neck with full intentions to hang themselves, only to forget about the rope until they try and walk to…
By: Addison Wylie Everyone has their own type of vice. Helene’s is her camera. Although she’s able to enthral people with her stunning photography, it’s an interest of hers that she chooses to take up a large portion of her life. The high she gets off of the perfect picture is that of a drug. Like a drug would do, Helene’s talent keeps her in her own world while others are kept out. Her daughter,…