By: Addison Wylie The 50 Year Argument documents the persuasive, opinionated history of the highly regarded publication The New York Review of Books. The film chronicles the exclusive timeline decently, although the doc’s pacing and organization feels like it keeps us in our seats for fifty years. In the early 60’s, during the New York printers strike, The New York Review of Books found its footing as a magazine that didn’t feel tethered by opposing…
By: Addison Wylie I’ve seen good Christmas movies and I’ve seen bad Christmas movies. But, outside of those schmaltzy TV movies that play in syndication around the holidays, I don’t think I’ve seen a Christmas movie as strange as A Merry Friggin’ Christmas. I would say this means Tristram Shapeero’s film is in a league of its own, but that’d be giving the movie too much credit. A Merry Friggin’ Christmas has been labeled as…
By: Addison Wylie Gamers are a smart brand of people and consumers. As much as Video Games: The Movie believes in that notion, filmmaker Jeremy Snead’s patronizing presentation suggests otherwise. Many can pitch the argument that gazing into a monitor and playing video games wastes you away, but the hypervigilance that is developing amongst nimble younger generations has older fans impressed. Those veterans are also admiring how the industry has brought players together, and how…
By: Addison Wylie The Haunted House films have their haters. But, these comedies also have those happy-go-lucky appreciators who laugh like hyenas with each crass joke. The difference between those two audiences is that the haters will openly vent about how these movies stink, while the others are too embarrassed to admit they chuckled. A Haunted House was a guilty pleasure of mine. It was a minor comedy that found success during its theatrical run,…
By: Addison Wylie It’s been about a week since I’ve seen Richard Linklater’s much anticipated Boyhood. I don’t usually give myself that amount of time to conceive a write-up. Boyhood’s different though. Boyhood’s an ambitious project that had Linklater shooting scenes over a 12 year period capturing his young lead Mason (played by Ellar Coltrane) mature into a strong-willed individual. He, along with his cast, crafted a story around that filmmaking method and then –…
By: Addison Wylie “If a movie does nothing wrong, does that make it a movie that does everything right?” I asked myself that during The F Word, and afterwards when I was developing my overall feelings towards Michael Dowse’s Toronto bound romantic comedy. The F Word does the trick, and goes through the hoops it needs to in order to please its general audience. We have two likeable leads (Wallace and Chantey played by Daniel…
By: Addison Wylie The conception of a movie like And So It Goes doesn’t so much start with an outline or a series of ideas. It begins with a demand no one has demanded; except for zealous producers who think they know their desired demographic. The general public likes Michael Douglas and those same patrons are most likely to enjoy watching Diane Keaton. The brains behind And So It Goes have taken these two variables…
By: Addison Wylie Comedy comes naturally for Brent Butt. Say what you want about his clean-cut deadpan performances and how “it doesn’t work for you”. But, six seasons of a highly popular footnote in Canadian television is nothing to ignore. Myself – along with a large cult fan base – find the Saskatchewan born comic to be hilarious and in tune with all the components it takes to make people laugh: delivery, timing, and content….
By: Addison Wylie The Case Against 8 takes you right to the very beginning of the scandalous, distressing times involving California’s passing of Proposition 8. Watching clips of Prop 8 propaganda and observing professionals talking in all seriousness about the benefits of the amendment is like falling through the looking glass. It’s hard to believe that this period existed and that 18,000 couples with different sexual orientations were told their marriages were voided. Shooting and…
By: Addison Wylie There should be entertainment in watching something as expensive and clueless as Winter’s Tale foul up as bad as it does. To do so, there has to be peculiar performances or unusual story elements to keep us guiltily hooked. Winter’s Tale has these, but it’s empty core covers any unintentional laughs. It’s a film serviced by a writer/director who can’t fully comprehend the source material he’s adapting. Akiva Goldsman has been a producer on…