Restless Creature: Wendy Whelan
It stings to call Restless Creature: Wendy Whelan an indistinguishable documentary because of who the film is about.
It stings to call Restless Creature: Wendy Whelan an indistinguishable documentary because of who the film is about.
By: Gesilayefa Azorbo Ballet 422, the much-anticipated new film from Jody Lee Lipes (NY Export: Opus Jazz), opens with a couple of facts. 91 – the number of full-time dancers at the prestigious New York City Ballet. 1948 – the year the ballet company was formed. The film then opens with a shot of these elite dancers walking down a darkened hallway to a mirrored practice studio. Then, shots of them stretching, warming up, wrapping their…
By: Addison Wylie I’m all for art taking different forms. Art doesn’t necessarily always have to contain deeper meanings. In the case of NY Export: Opus Jazz, having the intentions of emulating a classier time of musical cinema in a modern world is perfectly fine. However, when the featured silenced dancers show this much talent and capability as they do in NY Export: Opus Jazz, it’s hard not to expect something more than “just dancing”…