By: Addison Wylie The Lifeguard deals with the discouraging feeling of going nowhere and the urge to flee home for comfort. It’s a circumstance that some of us may be all too familiar with; especially those who are fresh out of their post-secondary education. Liz W. Garcia’s film, however, gets very little right about events that take place after the retreat to a personal turf. Garcia is able to capture that initial awkwardness that ensues…
By: Addison Wylie While it’s not a horror, the scariest aspect of The Purge is how seriously the concept is taken. James DeMonaco issues a smart move and doesn’t make the idea of a 12-hour violent free-for-all campy by any means. He plays his role as writer/director with a straight face and watches that his thriller and its screenplay keeps its realism but doesn’t come off as oppressive or stuffy. This warped way of communal…
By: Addison Wylie Everyone has their own type of vice. Helene’s is her camera. Although she’s able to enthral people with her stunning photography, it’s an interest of hers that she chooses to take up a large portion of her life. The high she gets off of the perfect picture is that of a drug. Like a drug would do, Helene’s talent keeps her in her own world while others are kept out. Her daughter,…
By: Addison Wylie The fine people at Disney usually have a good handle on their films, which is why the occasional slip-up- like Planes or last year’s Cars 2 makes me more sad of its existence than angry at how bad it is. Planes, an animated film taking place in the Cars universe, plays like an undemanding direct-to-DVD time filler. It’s funny that Planes comes out on DVD/Blu-ray a week after Blockbuster announced their final closings…
MSC: The Movie is the fabric of a parent’s nightmare. After countless bleeding hearts complaining about imitations inspired by shows like Jackass and underground guilty pleasures like Bumfights, Peter Guzda and his knucklehead cronies come along with a movie that proves all of them right. In the early 2000’s, Guzda started high school with an open mind. He soon met up with other students who shared a similar sense of humour and boredom. Welland, Ontario…
By: Addison Wylie Films like Short Term 12 are sometimes the toughest movies to write about. They make elaborate blockbusters like Inception look like a peanut. It’s just so easy to say Short Term 12 is great, recommend it profusely, and move on. Destin Daniel Cretton’s film is about a foster care supervisor who is having difficulties expressing herself. She keeps emotions sealed tight and lets her empathy feel for her. Instead of declaring Cretton’s…
By: Addison Wylie Your preconceived notions that Gravity will make your heart leap out of your chest and your stomach lurch are right on the money. The disorienting sci-fi separates the weak from the willing with its prolonged, wandering introduction to the team aboard the Explorer. We see mission specialist Dr. Ryan Stone (played by Sandra Bullock) hard at work while astronaut/commander Matt Kowalski (played by George Clooney) supervises. The operation is going as planned…
By: Addison Wylie Rodney Ascher’s analytical documentary about Stanley Kubrick’s The Shining is fascinating through and through. The narrated ideas and theories provided by featured fans range from being thought-provoking to farfetched over stretches; but the impassion behind each deconstruction cannot be faked. Some of the points are built on flimsy foundations, but because these committed fans of Kubrick’s adaptation have put a lot of time and work into proving their meanings (including freeze frames,…
By: Addison Wylie The Brass Teapot wants to be a rags-to-riches fairytale with an offbeat, darker tone. Director Ramaa Mosley along with Tim Macy’s screenplay, however, don’t want to fully commit to a twisted vicinity for fear they’ll lose their quirky image and potential likability. Even though the film doesn’t take huge risks, it still manages to find a way to be consistently appealing. Alice and John (played by Juno Temple and Michael Angarano) are…
By: Addison Wylie I didn’t like The Disappeared, but I can at least compliment its opening shots. Director Shandi Mitchell quickly establishes the nothingness that exists around a crew of lost men at sea. Mitchell generates an instantaneous sense of fear and hopelessness as the vagueness in their whereabouts and time of day effects the audience greatly. Then, someone speaks. And, more people speak. It’s not so much speaking as it is projecting and emphasizing…