Out of all the festivals I’ve ever covered, the Hot Docs Film Festival is one of my favourites. It’s a festival that always promises a deep array of different types of documentaries from a variety of different countries. It’s very hard to find one doc that resembles another in Hot Docs. The press conference held at Toronto’s Bloor Hot Docs Theatre on March 18 certainly built the buzz well. The audience had the pleasure of…
By: Addison Wylie As someone who has never set eyes on the cult television hit Veronica Mars and knows extremely little detail as to what took place on the show, the film puts me in an unusual spot for this detective’s feature film debut. Rob Thomas’ film is bound to please any fan who’s been begging for a Veronica Mars reunion, but the real test is how it stands as its own movie. Can outsiders…
By: Addison Wylie Why is it that Out of the Furnace has so many accomplishments going for it, yet it’s an impossible recommendation? Telling someone to watch Out of the Furnace would be like telling someone to hold a bunch of wild snakes and assuring them they won’t get bit. Scott Cooper’s thriller is one of those movies you appreciate a few hours after having watched it. Viewing Out of the Furnace for the first…
By: Addison Wylie Here’s the thing. I’m not mad at Ride Along. I’m not even frustrated with Tim Story’s buddy cop comedy. I’m not miffed, put off, or even slightly perturbed with it. I’m just kind of numb. Barely laughing in a comedy will do that to a person. I’m writing this review moments after watching the thing because I’m worried I’ll start forgetting portions of it. This vehicle for Ice Cube and Kevin Hart…
By: Addison Wylie I appreciate Academy Award nominee Mark Mori wanting to “reveal all” about pinup model Bettie Page with his new doc literally titled Bettie Page Reveals All, but I feel as if he may have gone too far right out of the gate. The documentary gives viewers a confidential look into Page’s life whilst using vintage privy interview answers from the model herself to string along narration. The documentary’s structure could – and…
By: Addison Wylie North Americans have Will Ferrel’s Ron Burgundy, an on-camera anchorman who’s self-centred arrogance has him chewing down on his own foot often. In Europe, the Brits have Steve Coogan’s Alan Partridge. Partridge is an egotistical radio personality obsessed with a celebrity image and a winning smile. Where Burgundy can read on screen as a pompous jerk with a heart of gold steeped in spoof misogyny, Partridge is more endearing. He always finds…
By: Addison Wylie You can’t say The Suspect was mismarketed. All that spectacular stunt work that’s flashed in the film’s trailer is there, and it’s still enthralling in context. What the trailer doesn’t capture is how overblown Won Shin-yun’s film is. Maybe that’s for the better since the lethargic narrative is a major turnoff. First, the film’s key strength: Shin-yun knows how to map out an action sequence. There are more than enough car chases…
By: Addison Wylie As the Oscars approach this Sunday, the time is finally here to reflect on 2013 through a pair of lists – my picks of the best and the worst. Let’s get the duds out of the way to make way for the flicks that’ll be remembered for years to come. 2013 introduced me to a new type of “bad”. It was a sub-version spawning off of the type of hatefulness I only…
By: Addison Wylie Solo starts out on an “A” game, but ends up finishing with a generous “C” grade. Isaac Cravit’s independent thriller is a straight-up campfire story – and, the filmmaker knows it. Gillian (played by former Degrassi: The Next Generation co-star Annie Clark) needs to prove herself to be a capable camp counsellor in order to obtain a summer job. The newbie needs to pull a “solo”, a two-night experience on a secluded…
By: Addison Wylie I find myself in a predicament trying to review Harry Freeland’s documentary In the Shadow of the Sun. Prior to the film, I was oblivious to the subject matter and found myself perplexed by the harsh reality that stalks Tanzanian albinos. In the Shadow of the Sun is a perfectly fine documentary, but I keep feeling as if I’m rating Freeman’s doc on the content represented rather than the film the material…