By: Addison Wylie For better or for worse, Algonquin is unpredictable. What starts as Canada’s independent answer to last year’s Academy Award nominee Nebraska finds unique footing after a detour in its narrative. I suppose any film related site listing the synopsis for Jonathan Hayes’ feature film debut would give away this major turn. Because I certainly didn’t see it coming, I’ll back away from that specific spoiler. It’s an example of how Hayes isn’t…
By: Addison Wylie William Joyce and Brandon Oldenburg return to TIFF Kids. This time, they’re not here to make me blubber like a baby (see: The Fantastic Flying Books of Mr. Morris Lessmore). The filmmakers are here to make me laugh and impress me with wit. Based on an iTunes app also called The Numberlys, the short film features five employees who are fed up with creating the same boring numbers at their factory job. One…
By: Addison Wylie There’s this strange little number named Mistaken for Strangers that has me all around impressed. The documentary is a peculiar one because it plops the audience in a position that automatically has us feeling very skeptical moments out of the gate. We’re quickly introduced to the film’s focus – the rock and roll band The National – and shown the key element all five musicians have in common. Each member has a…
By: Addison Wylie Documentarians Daniel Geller and Danya Goldfine have a fascinating story on their hands with The Galapagos Affair: Satan Came to Eden. It’s a real-life murder mystery that took place in the 1930’s within the secluded collection of islands located near Ecuador. In the late 20’s, a couple seeking independence and an escape from civilization took to Floreana to start a new life. Surrounded by tortoises and iguanas, Friedrich Ritter and Dore Strauch…
By: Addison Wylie Knight Rusty is a terribly hard movie to warm up to. Mostly because it comes across as a padded-out episode of a television cartoon that would barely have enough steam to punch out at 22 minutes. What’s worse is that Knight Rusty plays as one of the weaker adventures during one of the final seasons when the creators have started recycling ideas and effort. Right off the bat, moviegoers are thrown into…
By: Addison Wylie Afflicted isn’t a found footage film, but rather a mockumentary documenting Derek Lee and Clif Prowse’s year long trip around the world. The film does, however, use the same techniques we’ve seen in previous found footage horrors. Luckily, the filmmakers in charge of this creature feature know what they’re doing. In fact, there are a lot of things filmmakers/co-stars Lee and Prowse do brilliantly in Afflicted. Firstly, the duo cover their asses extremely…
By: Addison Wylie In Bad Johnson, heartthrob Cam Gigandet plays Rich, a womanizing jackass who finds himself in predicaments when pleasing his manly needs. He cheats on girlfriends, checks out T&A, and forgets women he’s gone to bed with. According to the film, some of this is charming – usually when Gigandet is smirking and trying to woo. Alas, Rich’s mojo becomes too much of a burden. In frustration, he wishes away his penis. The…
By: Addison Wylie If I have one positive to say about Matthew Pollack’s autobiographical documentary, it’s that the film is rightfully titled. By the end credits, I didn’t want anything to do with Pollack. I actually wished I hadn’t bothered with this icky film in the first place. Run Run It’s Him is supposed to serve as a coping tool and a means of comprehension for Pollack with his obsessive addiction to pornography. Matthew’s fascination…
By: Addison Wylie Authors Anonymous didn’t have any laughs in it for me, but I believe that’s because I couldn’t relate to it. The mockumentary about five writers who gather to critique their works-in-progress hopes to derive humour from these eccentric personalities. One author is desperate for attention, one is the “ideas guy”, another likes to remind others of his future success while another writer can’t name a single author. There’s a young slacker who…
By: Addison Wylie Every so often, a tall glass of ridiculousness helps break up moviegoing monotony. Some filmmakers have tried their hardest to makes escapist entertainment, and have instead delivered films that were too heavy on lunkheaded machismo. Gary Fleder’s Homefront had come in under the radar – or, so it seemed to me. Since it stars Jason Statham as the lead, it fell into that vaguely generic category most people seem to group Statham…