By: Addison Wylie I have to give Small Time a large amount of credit. It’s a film starring two slick used car salesmen and presents male attitudes as maturely as possible while embracing the swindling stereotype. It also finds a way to be heartfelt with family drama, as well as make you giggle with car lot banter. That’s quite a juggle, and filmmaker Joel Surnow maintains his load effortlessly. Al and Ash – two old…
By: Addison Wylie The concept of a devout character finding out their secret past is always going to be an intriguing premise – especially when the unexplored involves religion. That’s what happens to Anna in Pawel Pawlikowski’s Ida. Before she takes her vows of being a nun, Anna’s urged to meet with her only living family member. She sets out to meet her estranged Aunt Wanda, and fortunately does. She’s informed by her agitated Aunt…
The Special Need (DIR. Carlo Zoratti) By: Parker Mott The Special Need is a playful pun on that little itch a late-bloomer might get when he or she starts to become interested in the prospect of love and sexual intimacy. This ticklish desire is possible as well in those with mental or physical disabilities; the problem is our educational and even judicial systems do not teach citizens about or condone this issue. It’s merely swept under the…
By Parker Mott It’s hard to watch The Other Woman without bringing into the equation James Toback’s remarkable 1997 feature Two Girls and a Guy, a talk-heavy, one-room dramedy about two women (played by Heather Graham and Natasha Gregson Wagner) who discover they are dating the same man (played by Robert Downey, Jr.) and then conspire to make him suffer for his cheating ways. The movie found ingenuity in the shameless rationale of its male…
To movie goers who may not be doc-savvy, they may instantly think a documentary has to be a film where talking heads flap away while being accompanied with relevant b-roll. That’d be unfortunate because that’s not always the case. The Hot Docs International Documentary Festival tries to provide audiences with documentaries that set out to portray the genre from a different angle. The festival does a solid job at providing plenty of examples. However, there are…
By: Addison Wylie I’ve enjoyed covering the TIFF Kids International Film Festival in the past, but this year was especially cool. This marked the first year for any festival where I obtained an industry pass. The TIFF Kids Industry pass entitled you to sit in on exclusive conversations, workshops, keynotes, and Q&A’s. The team behind the festival made sure they delivered on guests who could provide truthful insight about the world of filmmaking and…
By: Addison Wylie Why do we have a sequel to last year’s poorly reviewed A Haunted House? Well, some people – including me – thought the first outing was a dumb unadulterated comedy that was actually a really funny send-up to the recent trend of horror flicks involving possessions and the devil. Because of the giggly reception and a profitable box office, director Michael Tiddes and partner-in-crime Marlon Wayans have decided to throw another spoof…
By: Addison Wylie Jeremy Gardner’s slow burn horror The Battery has earned crowds of cheers reaching back to its early film festival days from genre movie goers. Even though I wasn’t sold on this flabby flick, that’s great news for the filmmaker. It’s a zombie movie that hardly shows you any of the walking dead. That’s a tough sell! You see limited amounts of zombies because Gardner wants to set his sights more on the…
By: Addison Wylie I have a theory about animated films aimed towards children that are headlined by The Weinstein Company. And, The Nut Job gives me more material to work with. The Nut Job further solidifies my opinion that: the Weinsteins are severely out of touch with the youth of today, they think your children are dolts who will lap up anything animated, and they think you – the parent – are nothing more than…
By: Addison Wylie As times change, a filmmaker is faced with the potential to grow within their craft. I haven’t seen or heard from writer/director Stephen Chow since 2004’s fantastically insane Kung Fu Hustle, so I suppose I forgot that he would have to face this fork-in-the-road in his career if he continued to make movies. I see that advancement in his latest effort Journey to the West, but it’s not in the film’s tone….