By: Addison Wylie When people gang up on Tyler Perry, I’m there to usually defend him. I might not be saying good things about his movies, but I’ve stood up for him from a business perspective. He knows his audience well, and that knowledge has led him to be one of the most profitable filmmakers of our time. But this time, I side with the haters. And, I can’t see his fan base happily accepting…
By: Addison Wylie The conception of a movie like And So It Goes doesn’t so much start with an outline or a series of ideas. It begins with a demand no one has demanded; except for zealous producers who think they know their desired demographic. The general public likes Michael Douglas and those same patrons are most likely to enjoy watching Diane Keaton. The brains behind And So It Goes have taken these two variables…
By: Addison Wylie The Case Against 8 takes you right to the very beginning of the scandalous, distressing times involving California’s passing of Proposition 8. Watching clips of Prop 8 propaganda and observing professionals talking in all seriousness about the benefits of the amendment is like falling through the looking glass. It’s hard to believe that this period existed and that 18,000 couples with different sexual orientations were told their marriages were voided. Shooting and…
By: Addison Wylie Me and You marks the return of Bernardo Bertolucci as he cozies his way back into the director’s chair. After all, it’s been a decade since audiences caught Bertolucci’s controversial, NC-17 drama The Dreamers. The filmmaker has toned matters down for Me and You compared to the graphic content in The Dreamers, but his latest is unique in its own way. I wouldn’t go as far as to say Me and You’s…
By: Addison Wylie There should be entertainment in watching something as expensive and clueless as Winter’s Tale foul up as bad as it does. To do so, there has to be peculiar performances or unusual story elements to keep us guiltily hooked. Winter’s Tale has these, but it’s empty core covers any unintentional laughs. It’s a film serviced by a writer/director who can’t fully comprehend the source material he’s adapting. Akiva Goldsman has been a producer on…
By: Addison Wylie As much as I would like to believe that 2014 has proven to be a great year for movies so far, I can only instantly recall the films that have underwhelmed or flunked altogether. There’s been a steady flow of mediocrity, which isn’t exactly something to celebrate. I suppose matters could be much worse, but those flatlining flicks have left me in a state of trapped befuddlement while I watched them. These…
By: Addison Wylie My admiration for Kevin Smith comes and goes. If there’s one trait of his that I’ll always appreciate, it’s his choice to help up-and-comers in the film industry. Smith helping out Matt Johnson with his incomparable indie The Dirties is an excellent example of his compassion towards a new generation of storytellers. Jay and Silent Bob’s Super Groovy Cartoon Movie is another one of these projects. Smith has stated that Jay and…
By: Addison Wylie When audiences aren’t following the documentary’s main court case involving 83-year-old jewel thief Doris Payne, Payne is telling us about her wild history. It’s during these stretches where The Life and Crimes of Doris Payne has all the snazziness of a grand scale heist movie bundled up within a teeny, tiny doc. We get great amusement watching Payne recollect about past “jobs” and how she got away with it. However, it looks…
By: Addison Wylie Ever since The Notebook’s crowd pleasing fame, there’s been a line of Nicholas Sparks adaptations brought to the big screen. Because these films have hit home runs at the box office, it wasn’t surprising to see other romantic book-to-film conversions follow suit. The trailer for The Fault in Our Stars gave off that cover of being “just another one of those romantic movies”. Movie goers who have read and fallen in love with…
By: Addison Wylie A high school ditzy clique suffers fatal injuries. The clique are brought back from the dead using Wiccan rituals, leading the ragtag undead to seek revenge. Yes, that premise is rote. But, when it comes to telling a story that simple, I imagine it’d be hard to screw it up. Surprisingly, the minds behind All Cheerleaders Die unfathomably do so. How do you do it? How do you mess up a movie…