Netflix’s sports drama High Flying Bird is exactly the film you expect from Academy Award winning director Steven Soderbergh (Traffic). Using the experimental “look” of last year’s underrated Unsane and the foreboding “feel” of Contagion, High Flying Bird gives a fly-on-the-wall perspective of a sports agent (André Holland) as he senses fast-forming cracks in his career during an NBA lockout.
There’s been a modest resurgence of oddball, family-friendly fantasies. We were reminded of it with Tim Burton’s Miss Peregrine’s Home for Peculiar Children, and now with Eli Roth’s The House with a Clock in Its Walls. While I’m more of a fan of how the former balanced all of its supernatural factors, I still really liked and admired Roth’s kooky flick about an uncle teaching his nephew the tricks of the trade to sorcery.