By: Jolie Featherstone Director Rian Johnson (Looper, Star Wars: Episode XIII – The Last Jedi) makes a triumphant return to his whodunnit-loving form with Knives Out. Fourteen years after his much-loved debut feature, Brick, a passionately-told film noir set in a modern-day Southern California high school, Johnson’s Knives Out charmed audiences with one of the most talked-about films at this year’s Toronto International Film Festival.
By: Jolie Featherstone Charlie and Hannah’s Grand Night Out is a supremely playful romp that follows two friends as they embark on a madcap night out in Antwerp. Charlie and Hannah, two friends with their own goals for the night ahead, imbibe “magical” candy to amplify their night on the town. As the candy works its “magic”, Charlie and Hannah are whisked into a journey of mystical proportions.
By: Jolie Featherstone Paul Downs Colaizzo’s directorial debut, Brittany Runs a Marathon, offers a progressive and empathetic take on a classic storyline that has historically had insidious effects on our view of body image. The film packs an emotional punch in its ambition to tell a compassionate fable reminding us that everyone walks (er…runs) their own journey in life.
By: Jolie Featherstone Ready or Not is a devilishly fun, macabre thriller that toys with the tumultuous nature of family and the blatantly unethical drive of the wealthy to maintain their status – with a dollop of blood thrown in for good measure.
By: Jolie Featherstone Maiden opens in the middle of a cold and unforgiving ocean. Waves as tall as houses tumble and crash. A preternaturally calm voice is heard over the roar: “the ocean is always trying to kill you.” The roar continues. A storm brews in the increasingly agitated sky. “It doesn’t take a break.”
By: Jolie Featherstone “Three chords and the truth” – Harlan Howard’s oft-quoted definition of country music may well describe the soul of Wild Rose. Directed by Tom Harper and written by Nicole Taylor, Wild Rose is a classic underdog tale with an endlessly watchable underdog in the form of the fiery Rose-Lynn Harlan.
By: Jolie Featherstone The latest film from Olivier Assayas (Personal Shopper, Clouds of Sils Maria) is a classic comedy of manners imbued with dry wit and social commentary aplenty set amongst the bourgeois-bohemian Parisian publishing world.
By: Jolie Featherstone Beautiful European locale? Check. Comedy that runs the gamut from social critique to slapstick? Check. Two smart and savvy women competing for the ultimate con? Check!
