By: Addison Wylie An after hours horror show goes mad in the uneven Late Night Double Feature. Before the mayhem ensues on the set of Dr, Nasty’s Cavalcade of Horror, the audience is treated to a couple of spooky shorts intercut by commercials and previews. For the most part, the film is authentically structured like a craggy cable access show, which provides plenty of chuckles. An ill-placed ad cashing in on the night’s horror theme…
By: Addison Wylie Spike Lee took to Kickstarter to fund his latest joint Da Sweet Blood of Jesus. It was a bold move that opened up the floodgates for skeptics to start criticizing the filmmaker. Zach Braff endured the same with his campaign to make Wish I Was Here. Lee brings more of an argumentative crowd compared to Braff’s followers and naysayers. Some see Spike Lee as a self-serving loudmouth, but loyal fans believe he has…
By: Mark Barber David Gelb’s The Lazarus Effect offers an intriguing concept, but gets bogged down by convention. Despite its compelling concept, the premise is familiar: a group of researchers led by Frank (Mark Duplass) and his fiancée Zoe (Olivia Wilde) create the “Lazarus” serum, a formula that brings the recently deceased back to life. This God-like power to cheat death causes things to go awry very quickly. Zoe is killed in a laboratory accident…
By: Anthony King GOING IN: In this day in age, does the idea of more Vampires excite you? Or, has their rise to immense popularity and over saturation begun to turn you away? Personally I love vampires. I’ve read half an Anne Rice novel back in high school, so you can say I’m a pretty big fan of the subject. Just because there’s one series of films that are laughably bad and cheesy doesn’t mean…
By: Addison Wylie Housebound gives off the scent of a film written by multiple parties who want different things, even though the screenplay was solely written by director Gerard Johnstone. The film quickly develops an amusing dynamic between its two female leads. Kylie (Played by Morgana O’Reilly) is a criminal forced to live under house arrest with her mother Miriam (played by Rima Te Wiata). Mom would like to get along, but Kylie would rather…
By: Addison Wylie By this point, you pay to see The Quiet Ones and sort of know it’s going to be the fifty-seventh by-the-numbers possession film you’ve seen within the past decade. You get a vibe that the film is riding off the success of other, more successful horror films and a lot of the scares will be abiding by the rules of “gotcha” spooks. The Quiet Ones reminded me of movies like The Conjuring…
By: Addison Wylie I thought As Above, So Below was very, very dumb. And, I’m someone who throughly enjoyed both National Treasure movies. What does that say about me? Not wise enough in general, or wise enough to draw a line? My self-prognosis coming soon. But, yes, As Above, So Below is as dumb as movies get, and it wants its audience to take it so very seriously. The aforementioned National Treasure movies fill similar…
By: Addison Wylie Stage Fright is a spirited stab to revive the musical genre through comedy and horror. And thankfully, Jerome Sable’s game attempt at directing such a film satisfies his audience. Call it a yuk-yuck sort of flick. If a filmmaker isn’t working with cartoons or with Disney, it’s a daunting task for someone to make a musical from scratch. Musicals are – sadly – a tough sell in this day and age. Even…
By: Addison Wylie With every review, I try to inject some insight as to how I felt while watching the movie. Sometimes, I use humour and metaphors to get my point across. Writing has allowed my voice to travel along some creative routes in order to express an opinion about the medium. There’s no feeling quite like finding a conscious flow to your thoughts. With Gavin Michael Booth’s The Scarehouse, I have nothing interesting to…
Queen of Blood (DIR. Chris Alexander) By: Addison Wylie Two years ago, Fangoria’s editor-in-chief Chris Alexander rocked the Blood in the Snow Film Festival with his filmmaking debut Blood For Irina. He called it an “experience” and said the best way to view the film is by locking yourself in with it. He was absolutely right. His atmospheric silent film was a masterpiece and a sensory whirlwind; utilizing ominous music and smouldering cinematography to pull the movie goer…