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Filmmaking

One-on-Ones

Wylie Writes’ One-On-One with Max Joseph

By: Addison Wylie Many will recognize Max Joseph from his co-hosting gig on MTV’s Catfish, a modern mystery program featuring Max and Nev Schulman helping online romantics track down their ambiguous lovers.  Faithful viewers of Catfish, however, were given episodes early on in season 4 that were absent of Joseph.  This was because the filmmaker was still busy working on his feature film debut, We Are Your Friends. We Are Your Friends followed a group of pals trying…

One-on-Ones

Wylie Writes’ One-On-One with Elaine Constantine

Elaine Constantine’s Northern Soul has been praised as an authentic reenactment of the music scene in 1970’s England – Lancashire to be exact.  The film also stands as a strong example of a filmmaker accomplishing their goals because they have been able to put so much of their heart and life experience into their project. Wylie Writes’ Trevor Jeffery liked the film when he caught it at this year’s TIFF – Northern Soul had its North American premiere at the…

Festival Coverage

Toronto Youth Shorts’ T24 2015: Challenging Perfection

By: Addison Wylie Toronto Youth Shorts’ T24 challenges filmmakers to create, finish, and submit a short film to the festival’s committee within 24-hours.  Before heading out to plan their production, each team is given a page-long mission statement for the challenge documenting the themes that their works should fulfill. This year, festival director Henry Wong and his team were inspired by recent, humbling articles complimenting the GTA.  The Toronto Youth Shorts committee state the long and…

One-on-Ones

Wylie Writes’ One-On-One with Dan Abramovici

By: Addison Wylie Mars Horodyski’s Ben’s at Home is a film you can’t help but root for.  I’ve been cheering the movie on since I saw it at this year’s Canadian Film Festival, and was overjoyed to hear it won Best Feature as the festival was winding down. Besides its win at the Canadian Film Festival, Ben’s at Home has won all sorts of affection; which is very impressive considering how small scale the movie is. It’s a daunting…

Reviews

Why Don’t You Play in Hell?

By: Addison Wylie Why Don’t You Play in Hell? features characters who are crazy about filmmaking.  And, with cruel irony, Why Don’t You Play in Hell? made me want to abandon movies. Have you ever been around a group of people who like something?  I mean, REALLY like something.  The wave of high-pitched enthusiasm is enough to make you suffocate.  This unwatchable film takes that glee and warps it into a form of aggressive, painful…

Reviews

Da Sweet Blood of Jesus

By: Addison Wylie Spike Lee took to Kickstarter to fund his latest joint Da Sweet Blood of Jesus.  It was a bold move that opened up the floodgates for skeptics to start criticizing the filmmaker.  Zach Braff endured the same with his campaign to make Wish I Was Here. Lee brings more of an argumentative crowd compared to Braff’s followers and naysayers.  Some see Spike Lee as a self-serving loudmouth, but loyal fans believe he has…

Reviews

Tru Love

By: Addison Wylie As much as technology has progressed and storytelling has creatively evolved, the film industry still remains on a playing field where movie goers – all too easily – can look at a project and label it as something that’s either for males or for females.  Of course, there are exceptions, but this sort of divvying haplessly exists. Moviemaking thankfully advances as films open themselves for its audience to overlap.  When I sat…

CrowdFUNding

CrowdFUNding: ‘Deep Shock’ and ‘The Date’

By: Addison Wylie Back when I was writing for Film Army, I would occasionally get requests from filmmakers to review their short films.  Davide Melini and Rob Comeau were two of those people, and CrowdFUNding has reunited me with them. Melini – an Italian filmmaker with a fascination for  faith – and Comeau – a Canadian moviemaker with an eye for style – strike different chords with their work.  It’s awesome to see these two haven’t…

Reviews

Life Itself

By: Addison Wylie Life Itself has the sympathetic appeal and gravitas of a rightfully great documentary about an unbreakable legacy.  It’s the type of film Roger Ebert would’ve liked, even if it wasn’t chronicling the late film critic’s life and times. Ebert’s “thumbs up/thumbs down” signature alongside buddying rival Gene Siskel left more than just an imprint on the film industry.  Their clashing opinions and exuberance for winning movies had readers and viewers alike riveted….

Festival Coverage

Wylie Writes @ Inside Out 2014: Who’s Tired of Vagina Wolf?

Who’s Afraid of Vagina Wolf? (DIR. Anna Margarita Albelo) By: Addison Wylie There’s nothing more obnoxious than a movie that thinks its being clever.  Enter Who’s Afraid of Vagina Wolf?, an indie with all the self-absorption of Michael Urie’s He’s Way More Famous Than You helmed by Anna Margarita Albelo who wishes to become Lena Dunham through eccentric styles and a hipster soundtrack. Who’s Afraid of Vagina Wolf? has writer/director Albelo playing an exaggerated version of herself.  She’s…