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Wylie Writes at Toronto After Dark ’13: Finding Disturbed Love

If you’ve been keeping up with my writing at Film Army, you would’ve been more than acquainted with our coverage of this year’s Toronto After Dark Film Festival. The festival which focuses on bringing hardcore genre films (short and feature length) to eager audiences has been stronger than last year but still hit-and-miss. While gems like We Are What We Are and Big Ass Spider! had audiences glued, other horrors like Silent Retreat and Septic…

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On The Film Army Front: August ’13 Edition

Well, now that TIFF has come to an end, let’s take a trip back to August. If you can believe it, August was busier than my experience with the Toronto International Film Festival.  At Film Army, I was checking out different programmes hosted by Toronto’s TIFF Bell Lightbox, watching smaller independent fare, as well as getting ready for TIFF while setting up IFFFT coverage – the International Fetish Film Festival Toronto. It’s great to cover…

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On The Film Army Front: July ’13 Edition

Everyone has a list of things they want to do. These things aren’t towering milestones that are waiting to be crossed off a bucket list, but their big enough to constantly hang out in your head and remind you that you’ve been wanting to accomplish whatever you wanted to do. It seems I usually have a list like this for every month, but July seemed to be that month where I finally was able to…

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On The Film Army Front: June ’13 Edition

For those who may be unaware, I also write on a more Canadian-savvy site called Film Army. At Film Army, contributors wish to bring filmmakers – ranging from students to up-and-comers to tenured artists – together and provide resources, news, and other relevant information in order to keep these dedicated readers in the loop regarding the film and television industry. Contributors have some sort of tv/film experience under our belts. Some have been working behind-the-scenes…

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Hot Docs 2013: The Ghosts in our Machine is Hauntingly Good

By: Addison Wylie According to The Ghosts in our Machine, it’s easier for photographer Jo-Anne McArthur to go unseen in factory farms than it is to be seen in major publications. McArthur has dedicated her life to capturing the life of unkempt animals through her lens to spread the word of inhumane treatment aimed towards animals to garner material goods.  Whether she’s tagging along with other passionate individuals or executing guerrilla missions as we saw…

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Hot Docs 2013: A Breath of Fresh Air

By: Addison Wylie Morag McKinnon and Emma Davie’s documentary I Am Breathing is really good and moviegoers will be thankful that they were fortunate to see it. Audiences feel enlightened having spent time with Neil Platt. Platt, having been diagnosed with MND (Motor Neurone Disease), spends his life paralyzed as he plays with his son and humours his nurturing wife. He loves words and always has interesting things to say and even more interesting ways…

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Hot Docs 2013: Shooting Bigfoot and Scoring Laughs

By: Addison Wylie The documentary Shooting Bigfoot follows three expeditions led by four different devoted and off-kilter trackers. One subject is Rick Dyer. Dyer has had his name besmirched in the world of hunting Bigfoot due to a scam that took the media by storm. Once he finds Bigfoot, he plans to capture it and take its life. Another hunter is Tom Biscardi, a well known tracker who has no interest in killing Bigfoot, but…

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Hot Docs 2013: Alias Chokes at the Mic

By: Addison Wylie Alias made me frustrated.  Watching Michelle Latimer’s documentary provoked me in a way that pushed me to talk back to the screen – something I rarely do. Alias focuses on a small handful of Toronto rappers trying to be heard and to please an audience with their music and lyrics.  According to the synopsis, Latimer’s doc “digs deeper than the usual portrait of the rap world as glamour, guns and swagger.”  I…