By: Addison Wylie Drafthouse Films’ track record is uneven, but you have to give them credit for being able to uncover bizarrely profound work. As for their current experiment, they’re giving Roar – an outrageously irresponsible survival film – a second chance. Knowing the production company, they see cult potential in Noel Marshall’s dangerous film. Roar was littered with problems during production including multiple injuries to the cast and crew, as well as natural disasters…
By: Addison Wylie A film can tell you nothing for no good reason, having you frustrated until the final frame. Sometimes, a movie can keep everything a secret and get away with it because of how intriguing it is. Alex van Warmerdam’s haunting Borgman is a magnificent example of the latter. Borgman is a weird flick, but daring because of that. The skillful filmmaker has set up his plan masterfully, and has the average movie…
By: Addison Wylie In an attempt to bounce back from mediocre midnight madness with The Visitor, Drafthouse Films returns with another remastered cut of a cult movie. Maybe the third time will be the charm for these cinema aficionados who are desperate to shed light on obscurity. In the meantime, we have this re-release of Abel Ferrara’s robotic Ms. 45. It’s grindhouse exploitation through and through, and maybe movie goers will get some sort of…
By: Addison Wylie Drafthouse Films has taken Giulio Paradisi’s director’s cut to his very strange 1979 sci-fi flick The Visitor and are unleashing it to the public in a newly remastered mode. There are a lot of uncanny compositions of malificent behaviour that especially punch out. These set a tone incredibly fast and have the power to make you immediately feel at unease. Confusion runs rampant throughout The Visitor, and for the most part, it’s…