I’ll be reviewing Gaspar Noé’s Vortex very soon, and I wanted to use the filmmaker’s latest short Lux Æterna as a gateway to his latest feature.  I’m a fan of Noé’s polarizing work from what I’ve seen (Irreversible, Enter The Void), but his latest projects utilize a split-screen technique I haven’t seen him play around with before.  As a provocateur, the writer/director has been know to explore and experiment with “gratuitous filmmaking”.  It’s overkill for…