His Three Daughters
Invoking comparisons to Mass and Our Friend, His Three Daughters may not be as good as those character-driven dramas, but it’s still a fantastic chamber piece that should spark award buzz around its stripped-down cast.
Invoking comparisons to Mass and Our Friend, His Three Daughters may not be as good as those character-driven dramas, but it’s still a fantastic chamber piece that should spark award buzz around its stripped-down cast.
Ordinary Love is a superb drama with slight notes of ice-breaking wit. It’s orchestrated along the same lines as 2017 Oscar nominee The Big Sick or last year’s Netflix sleeper Paddleton (both of which, funnily enough, co-star Ray Romano but I digress), only the premise of a middle-aged married couple coming to terms with an alarming cancer diagnosis is played, as expected, a bit more sullen.
Kiss and Cry is a lovely Canadian companion to Josh Boone’s crowd-pleaser The Fault in Our Stars.
There are different ways for a writer to tell a story while tapping into their own personal catharsis. Chris Kelly (co-writer of Saturday Night Live and Broad City making his feature filmmaking debut) has found a vessel in Other People to tell his own semi-autobiographical story by re-capturing snapshots of his ailing mother’s final months.
The girlfriend dramedy Miss You Already is a fitting follow-up for Thirteen filmmaker Catherine Hardwicke. It just so happens to arrive late in her career after Lords of Dogtown, The Nativity Story, Twilight, and Red Riding Hood.
By: Addison Wylie After accumulating directorial experience with shorts films and serving as a producer on critically acclaimed indies such as Simon Killer and Martha Marcy May Marlene, Josh Mond has taken the leap to feature films with James White. A film that will convince you that Mond has been in this business longer than his back catalogue suggests.