By: Addison Wylie For better or for worse, Algonquin is unpredictable. What starts as Canada’s independent answer to last year’s Academy Award nominee Nebraska finds unique footing after a detour in its narrative. I suppose any film related site listing the synopsis for Jonathan Hayes’ feature film debut would give away this major turn. Because I certainly didn’t see it coming, I’ll back away from that specific spoiler. It’s an example of how Hayes isn’t…
By: Addison Wylie If I have one positive to say about Matthew Pollack’s autobiographical documentary, it’s that the film is rightfully titled. By the end credits, I didn’t want anything to do with Pollack. I actually wished I hadn’t bothered with this icky film in the first place. Run Run It’s Him is supposed to serve as a coping tool and a means of comprehension for Pollack with his obsessive addiction to pornography. Matthew’s fascination…
By: Addison Wylie Opening this weekend is Canadian indie Down River, a drama that peers into the lives of three strong women pushed to extremes in order to fulfill an artistic destiny. What they also have in common is their connection to Pearl, an old soul who is ready to drop everything if she’s needed for friendship and support. Down River is a character study that offers a fair bit to chew on and doesn’t…
By: Addison Wylie Recently, we’ve seen Hansel and Gretel battle witches with steampunk weaponry in Hansel & Gretel: Witch Hunters and defeat a nefarious pot-peddling evildoer in Hansel & Gretel Get Baked. I’m still racking my brain as to why these Brothers Grimm siblings got the resurgence they did. Perhaps, the timing of it all makes H&G initially refreshing. It’s nice to see filmmaker Danishka Esterhazy take a low-key approach to this fairy tale and…
By: Addison Wylie Down River has so much emotion in it, the film is almost bursting at the seams to contain all of it. Actor turned filmmaker Ben Ratner pushes his four lead actresses to the brink of hysteria, but for fathomable reasons. Harper (played by Colleen Rennison) struggles as a lowly musician who’s losing touch of her sexuality, Fawn (played by Corner Gas’ Gabrielle Miller) is an actress who’s feeling a disconnect between her…
By: Addison Wylie It’s no competition that Kenny vs. Spenny – whether you like it or not – has become a staple in Canadian pop culture. Kenny Hotz and Spencer Rice’s reality television show featured the buddies going toe-to-toe with each other in various matches such as Who Can Win a Ten Mile Race and Who Can Stay in a Haunted House the Longest. However, as the competitions became increasingly irreverent and Hotz’s strategies more…
By: Addison Wylie Now that we’ve recognized the bad movies that were slingshot at audiences last year, it’s time to move on and engulf ourselves in the cream of the crop. 2013 introduced a wide variety of great films to audiences. I feel like I say that every year, but as I scour my selected picks, the only thing these movies share are the odd genre they’re grouped in. Take documentaries, for example. Audiences were…
By: Addison Wylie After being featured at Toronto After Dark, the indie Canadian thriller named Solo is making a more public appearance with a theatrical run at Toronto’s Carlton Cinema. Carlton Cinema is a very appropriate venue seeing as the theatre and the film both share a level of independence. Carlton Cinema is a quaint theatre that feels as if you step into another world of movie watching, and Solo’s lead is left in her own world…
By: Addison Wylie Solo starts out on an “A” game, but ends up finishing with a generous “C” grade. Isaac Cravit’s independent thriller is a straight-up campfire story – and, the filmmaker knows it. Gillian (played by former Degrassi: The Next Generation co-star Annie Clark) needs to prove herself to be a capable camp counsellor in order to obtain a summer job. The newbie needs to pull a “solo”, a two-night experience on a secluded…
By: Addison Wylie Every so often, a movie comes along and upsets me heavily with how it wastes prime opportunities. February has slung that film at me and it’s called Sex After Kids, a Canadian independent comedy helped out with a successful IndieGoGo campaign. The only thing that stops me from getting really angry at Sex After Kids is that there is not a mean bone in its body. Filmmaker Jeremy Lalonde has truly tried…