By: Addison Wylie I didn’t like The Disappeared, but I can at least compliment its opening shots. Director Shandi Mitchell quickly establishes the nothingness that exists around a crew of lost men at sea. Mitchell generates an instantaneous sense of fear and hopelessness as the vagueness in their whereabouts and time of day effects the audience greatly. Then, someone speaks. And, more people speak. It’s not so much speaking as it is projecting and emphasizing…
By: Addison Wylie Alan Zweig won top honours at the Toronto International Film Festival this past September for his documentary filmmaking with When Jews Were Funny – but, I needed more convincing. When Jews Were Funny – a doc on how a Judaic approach to comedy made its way into our funny bones – had appropriate subjects to interview, a proper conversational vibe about it, but its scope was too narrow. Zweig didn’t have enough…
By: Addison Wylie The last thing I expect to feel during “riotous and outrageous sexual exploration” is snooze-inducing boredom. That was the case with My Awkward Sexual Adventure, an unadulterated Canadian sex comedy that sets up an array of absurd situations only to do nothing but fumble around. I hate pointing all the blame towards one individual, but with My Awkward Sexual Adventure, it’s tough not to do that when Jonas Chernick is the source…
For those who may be unaware, I also write on a more Canadian-savvy site called Film Army. At Film Army, contributors wish to bring filmmakers – ranging from students to up-and-comers to tenured artists – together and provide resources, news, and other relevant information in order to keep these dedicated readers in the loop regarding the film and television industry. Contributors have some sort of tv/film experience under our belts. Some have been working behind-the-scenes…
By: Addison Wylie Shawn Linden’s The Good Lie is good looking and straightforward with its premise that instantly hooks you. A normal high schooler named Cullen (played by Thomas Dekker) is devastated after being pulled out of class to find out his mother Doris (played by Julie LeBreton) has died in a car accident. He’s even more upset after learning he’s the product of a horrific rape. Furious and upset, Cullen sets out to find…
By: Addison Wylie Many connections can be made through social networking, but obscure actor Rob Stewart made the ultimate one that also changed his life. Through Facebook, Stewart discovered a TV show he starred in 20 years ago called Tropical Heat had taken on a new life in Serbia. A Serbian punk band named Atheist Rap contacted Rob and offered an opportunity where Rob could perform with them during a song dedicated to Stewart’s Tropical…
By: Addison Wylie Revolution could very well be one of this year’s most important watches, but by the end of the documentary, you’ll be wondering what’s more of a threat: carbon dioxide poisoning in our atmosphere or filmmaker Rob Stewart’s constant need to be on camera. I can’t ignore it. No one can. Stewart just loves to star in his own passion project. I hesitate to continue with this criticism about the director/producer/writer/cinematographer for fear…
By: Addison Wylie For audiences needing a psychological horror fix, Derek Franson’s Comforting Skin may do just the trick. It certainly did for me. It’s a film that starts unsteadily as our main lead is introduced to us. Koffie (yes, that’s her name, and she’s played terrifically by Victoria Bidewell) is down and out and feeling as if no one wants anything to do with her. She’s dishevelled, has a past that hasn’t been bright,…
By: Addison Wylie Alias made me frustrated. Watching Michelle Latimer’s documentary provoked me in a way that pushed me to talk back to the screen – something I rarely do. Alias focuses on a small handful of Toronto rappers trying to be heard and to please an audience with their music and lyrics. According to the synopsis, Latimer’s doc “digs deeper than the usual portrait of the rap world as glamour, guns and swagger.” I…
By: Addison Wylie The Resurrection of Tony Gitone is a drama abut traditions, family, and friends – that is, if you can make it out over the yelling and excessive upstaging. Ultimately, that’s what makes Jerry Ciccoritti’s film a particularly annoying watch. Riding high off of a new gig as a leading male in a popular director’s upcoming movie and clutching an attractive big name actress, Nino (played by Fab Filippo) and his date Vanessa Luna…