From the producers of Poor Agnes comes the provocatively titled Happy FKN Sunshine feels, an angry indie with a vague connection to its story.
Brief stylistic choices in the comical caper Bandit reminded me of 2013’s Pain & Gain. And while I shuddered remembering how nasty Michael Bay’s true-crime comedy was, those feelings were soon followed by a sigh of relief as Bandit’s charm washed over me.
Environmental lawyer Aurora (Noëlle Schönwald) has sought out refuge in Canada after her husband is mysteriously killed. She flees across the border from Columbia and then, after some additional information is explained about Aurora’s backstory, the film fast-forwards to the refugee’s contemporary lifestyle in Toronto. Despite finding new roots and separating herself from the past, recent sightings of her late husband around the city have Aurora second-guessing her identity.
The Long Rider is a welcomed return to documentary filmmaking for director Sean Cisterna (Moon Point, Kiss and Cry, From the Vine).
All My Puny Sorrows, directed by One Week’s Michael McGowan, is cut from similar cloth as last year’s outstanding, sad drama Our Friend. Carried by a small yet mighty cast who are all approaching sensitive material under the guidance of a cautious filmmaker, All My Puny Sorrows tracks how deep mental illness can run within a family’s dynamic, and how it affects its members.
Written and directed by Nicole Dorsey, Black Conflux gets many things right. Aesthetically, it is a compelling film that makes use of visual motifs to link the lives of two very different characters.
Written and directed by Ryan Noth (No Heart Feelings), Drifting Snow depicts a rural Ontario winter in all its frozen glory. But, tangled timelines and poor pacing hinder what could otherwise be a compelling drama.
I Propose We Never See Each Other Again After Tonight has an ungainly title but, luckily, the film’s memorable efforts are more than distracting.
The Kid Detective has done the best job, in recent memory, explaining why a mystery’s leading sleuth is such a sad sack. The enigmatic and eccentric personality has become such a cliché in the genre, that the audience just expects and accepts the detective to be grizzled, or unhappy, or an unpredictable hot head. In The Kid Detective, Abe Applebaum (Adam Brody) carries those traits, but writer/director Evan Morgan provides compelling motivation which fuels Brody’s top-form…
Never Be Done: The Richard Glen Lett Story is a fantastic example of true documentary filmmaking.