By: Jolie Featherstone Red Rover is a story for anyone who has felt unseen, unloved, and unworthy in a world where artifice and branding are systemically rewarded.
At the same time John Turturro’s Big Lewbowski spin-off The Jesus Rolls bowls into theatres, a more faithful adaptation of the Coen Brothers’ style and wit is released – Albert Shin’s Disappearance at Clifton Hill.
Walking home on a dreary day in Vancouver, Áila (Elle-Máijá Tailfeathers) finds herself in the middle of an altercation between a surly man and a meek Indigenous woman. The woman, Rosie (Violet Nelson), has been roughed up. With instinctual grace and with Rosie’s permission, Áila steps in and separates Rosie from this argument, and invites the stranger into her house for safety and comfort.
By: Trevor Chartrand Based on a true story, Brotherhood is a harrowing tale of survival that recounts the tragedy beset upon a boy’s summer camp in Balsam Lake, Ontario in 1926. On the night of July 20, thirteen boys and two camp counsellors set out to cross the lake in a canoe to gather food and supplies for the camp. They encountered high winds that capsized the boat, leaving them floating in the cold water…
Somewhere during the making of this film adaptation of Danny Schur and Rick Chafe’s period musical Stand!, the project was seriously mishandled. Robert Adetuyi’s film version sounds like it should be on stage and looks as if it was written and shot for daytime television.
Sending the unlikeliest of people into space–from Jason Voorhees to Homer Simpson–has always been a crowd-pleasing move. So it should come as no surprise that Shelagh McLeod finds the same results in her feature directorial debut Astronaut, which sends seventy-one year old Richard Dreyfuss into the heavens, in perhaps the Oscar winner’s best performance in years.
In Mouthpiece, two women play the lead character. Not with strategic editing or a duel Sliding Doors-esque narrative, but simultaneously on-screen. While this may sound like an excuse for the filmmakers to showboat and earn arthouse cred, the results couldn’t be farther from being just a fancy trick.
This Is North Preston is a spinning top. One moment, you’ll have your mind made up about what the documentary is presenting only to have your opinion changed a few more times. I was so gobsmacked by the end that I was almost inclined to rewatch the film to see if my opinion would change again – I dare you to find a more riveting documentary than this.
Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate. In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral; including meeting old acquaintances and people who were close to her late dad.
Wylie Writes’ Short Film Showcase acknowledges exclusive screenings of short films across Canada. Short-form filmmaking is sometimes overshadowed by larger projects or, worse, ignored completely. With this showcase, Wylie Writes wishes to not only provide a unique opinion for filmmakers, but to also spread awareness of these special screenings for our loyal readers.