The Bad Guys is a big screen adaptation of a popular book series for kids, perhaps to tide over the Diary of a Wimpy Kid crowd. But even as someone who was completely unfamiliar with the series, I thought its feature-length debut was great. It’s one of the coolest and most exciting films of the year.
Flee offers an intimate perspective from a lengthy conversation about rediscovering the past to plan for the future.
By: Trevor Chartrand Everyone’s favorite spooky family is back in The Addams Family 2, the sequel to 2019’s animated stinker featuring a re-imaged version of the classic Addams family characters. This go-round is, surprisingly, a slight improvement on the first installment (which isn’t saying much), but ultimately both titles in this series so far feel like ‘babysitter’ movies – stuffed full of filler and thin on the narrative front. It’s something parents can plop their kids…
After some minor big screen stints and continuing with its long-running success on television, PAW Patrol makes a flawless leap to feature-length with PAW Patrol: The Movie – essentially cobbling together four missions into an entertaining movie for families.
For the first 20 minutes or so, I was really enjoying Nicola Lemay’s Canadian family film Felix and the Treasure of Morgäa. The animation popped off the screen, the writing and visual gags were amusing, and the story was nesting in a promising adventure-fantasy element. Even the obligatory cute animals were making me laugh. I was excited to finally have an animated children’s movie ready to recommend to families.
100% Wolf is a thought-free zone for kids and adults alike. A plus for viewers wanting to look at bright colours and flashing lights, but a bit of a bummer for those who like their animation a little less hyper. Even if young movie goers enjoy the mindless entertainment that 100% Wolf is dishing out, they still might have a hard time grasping the storyline and the type of frenetic fantasy it relishes in.
The Willoughbys tries to straddle the line between being playfully grim and downright bizarre but, instead, alternates from being one or the other. Based on Lois Lowry’s children’s book and evoking memories of stranger family fare like James and the Giant Peach, Matilda, and Lemony Snicket’s A Series of Unfortunate Events, The Willoughbys is a unique endeavour that will make you laugh as much as it will straight-up weird you out.
Part way through Playmobil: The Movie, I was settling into a marginal recommendation. As a colourful distraction for young kids who are starting to show interest in action flicks, it’s generic yet harmless entertainment. But as the story dragged on through shameless attempts to emulate The Lego Movie franchise, Playmobil: The Movie began to pick at my patience.
It’s embarrassing to admit, but A Wizard’s Tale – a film intended for small children – took me a while to finish. The storytelling, so hyper. The humour, so random. And no matter how many times I rewatched pivotal parts, I was still left dumbfounded. When our heroes reached a kingdom of “balloon-people”, I knew I wasn’t losing it – the movie was.
Art has been known to be so vivid and realistic that it can leap off the page, the canvas, et cetera. That saying becomes quite literal for psychotherapist Ruben Brandt, who is experiencing surrealists nightmares of famous paintings torturing him. In order to confront and conquer his fears, Brandt makes a bold choice to steal and obtain each work of art that haunts him, therefore being in full control of whatever is “out” to get…