Addison Wylie

Festival Coverage

Wylie Writes @ TIFF KIDS 2014: The House of Magic

By: Addison Wylie The House of Magic is an abundantly likeable film, and will certainly be a memorable pick at this year’s TIFF Kids.  On the surface, the bouncy flick has all the ingredients for a smiling good time at the theatre.  There’s an adorable cat, whimsical magic, and stunning animation paired with incredible use of 3D technology. It’s to be warned that Jérémie Degruson and Ben Stassen’s film isn’t all sunshine and rainbows for the first…

Reviews

The Nut Job

By: Addison Wylie I have a theory about animated films aimed towards children that are headlined by The Weinstein Company.  And, The Nut Job gives me more material to work with. The Nut Job further solidifies my opinion that: the Weinsteins are severely out of touch with the youth of today, they think your children are dolts who will lap up anything animated, and they think you – the parent – are nothing more than…

Reviews

Journey to the West

By: Addison Wylie As times change, a filmmaker is faced with the potential to grow within their craft.  I haven’t seen or heard from writer/director Stephen Chow since 2004’s fantastically insane Kung Fu Hustle, so I suppose I forgot that he would have to face this fork-in-the-road in his career if he continued to make movies. I see that advancement in his latest effort Journey to the West, but it’s not in the film’s tone….

Reviews

Algonquin

By: Addison Wylie For better or for worse, Algonquin is unpredictable.  What starts as Canada’s independent answer to last year’s Academy Award nominee Nebraska finds unique footing after a detour in its narrative. I suppose any film related site listing the synopsis for Jonathan Hayes’ feature film debut would give away this major turn.  Because I certainly didn’t see it coming, I’ll back away from that specific spoiler.  It’s an example of how Hayes isn’t…

Festival Coverage

Wylie Writes @ TIFF KIDS 2014: The Numberlys

By: Addison Wylie William Joyce and Brandon Oldenburg return to TIFF Kids.  This time, they’re not here to make me blubber like a baby (see: The Fantastic Flying Books of Mr. Morris Lessmore).  The filmmakers are here to make me laugh and impress me with wit. Based on an iTunes app also called The Numberlys, the short film features five employees who are fed up with creating the same boring numbers at their factory job.  One…

CrowdFUNding

CrowdFUNding: James Evans’ DIY Shakespeare

  By: Addison Wylie I’ve always seen a bright future for actor James Evans.  James and I attended the same high school and we were fortunate to take part in a few stage productions together.  He’s  a really sharp and talented guy who – to my memory – does a spot-on Don Knotts. Where James and I differ is with Shakespeare.  I’ve always had a difficult time grasping onto William Shakespeare’s writing.  Evans not only…

Reviews

Mistaken for Strangers

By: Addison Wylie There’s this strange little number named Mistaken for Strangers that has me all around impressed.  The documentary is a peculiar one because it plops the audience in a position that automatically has us feeling very skeptical moments out of the gate. We’re quickly introduced to the film’s focus – the rock and roll band The National – and shown the key element all five musicians have in common.  Each member has a…

Reviews

The Galapagos Affair: Satan Came to Eden

By: Addison Wylie Documentarians Daniel Geller and Danya Goldfine have a fascinating story on their hands with The Galapagos Affair: Satan Came to Eden.  It’s a real-life murder mystery that took place in the 1930’s within the secluded collection of islands located near Ecuador. In the late 20’s, a couple seeking independence and an escape from civilization took to Floreana to start a new life.  Surrounded by tortoises and iguanas, Friedrich Ritter and Dore Strauch…

Festival Coverage

Wylie Writes @ TIFF KIDS 2014: Knight Rusty

By: Addison Wylie Knight Rusty is a terribly hard movie to warm up to.  Mostly because it comes across as a padded-out episode of a television cartoon that would barely have enough steam to punch out at 22 minutes.  What’s worse is that Knight Rusty plays as one of the weaker adventures during one of the final seasons when the creators have started recycling ideas and effort. Right off the bat, moviegoers are thrown into…

Reviews

Bad Words

By: Addison Wylie At first, it’s a riddle to figure out what actor Jason Bateman would gain from directing a dark comedy and playing the film’s anti-hero.  After watching Bad Words, it’s clear to me why the film would be an enticing challenge. It’s a chance to go against the grain of Bateman’s nice guy image to whom he’s been typecast for multiple times.  Not to mention a chance for the actor to not conform…