Based on Adam Cesare’s popular YA novel of the same name, Clown in a Cornfield is a mishmash of pseudo comedic and horror elements, but it doesn’t come together as a cohesive horror-comedy. Director Eli Craig (Tucker & Dale vs. Evil) is given an array of teenage anti-heroes; a clan of “bad apples” who have given their town an infamous reputation from phoney online videos featuring a ghoulish, stalking clown named Frendo. When they begin to be…
Code 8 is an Indiegogo funded passion project from actors Robbie and Stephen Amell that raised over $3,000,000 (Canadian) crushing the campaign’s $200,000 goal – that’s impressive. I learned about the crowdfunding after watching the movie, which made my appreciation for the film grow. But, I still think Code 8 is both a tedious action/thriller and a mishmash of too many observational social commentaries.
In the heart of Toronto’s entertainment district, high-end restaurants hold their own against competition and stress, or so we assume. This facade, however, becomes too much for Daniel, a well-versed chef with a bad reputation and unhealthy work ethic. Over the span of a day in Nose to Tail, Daniel’s life spins out of control as his attitude costs him his staff and his family, and possibly the last chance he’ll get in the business.
In The Go-Getters, Jeremy LaLonde’s first foray into the twisted genre of dark comedies, audiences are convinced that misery really does love company; especially in the metropolis of Toronto.
Closet Monster is not only another case of a filmmaker who has taken the leap to long-form filmmaking after establishing themselves with short films, but it’s also a satisfying example of a storyteller succeeding under new guidelines.
