By: Addison Wylie Baz Luhrmann’s flashy adaptation of F. Scott Fitzgerald’s 1925 novel The Great Gatsby is a “production” in every sense of the word – as many of us expect it to be. In fact, the film evoked the same reaction I had when I watched Luhrmann’s much loved Oscar winner Moulin Rouge! in 2001. Judging from these two examples, I find Baz Luhrmann likes to scream and shout during the first thirty minutes or…
By: Addison Wylie Shawn Linden’s The Good Lie is good looking and straightforward with its premise that instantly hooks you. A normal high schooler named Cullen (played by Thomas Dekker) is devastated after being pulled out of class to find out his mother Doris (played by Julie LeBreton) has died in a car accident. He’s even more upset after learning he’s the product of a horrific rape. Furious and upset, Cullen sets out to find…
By: Addison Wylie Many connections can be made through social networking, but obscure actor Rob Stewart made the ultimate one that also changed his life. Through Facebook, Stewart discovered a TV show he starred in 20 years ago called Tropical Heat had taken on a new life in Serbia. A Serbian punk band named Atheist Rap contacted Rob and offered an opportunity where Rob could perform with them during a song dedicated to Stewart’s Tropical…
By: Addison Wylie Revolution could very well be one of this year’s most important watches, but by the end of the documentary, you’ll be wondering what’s more of a threat: carbon dioxide poisoning in our atmosphere or filmmaker Rob Stewart’s constant need to be on camera. I can’t ignore it. No one can. Stewart just loves to star in his own passion project. I hesitate to continue with this criticism about the director/producer/writer/cinematographer for fear…
By: Addison Wylie With his latest feature film, writer/director Derek Cianfrance has already made his Magnolia with The Place Beyond the Pines, an excellent and expansive drama intertwining complex characters and haunting pasts with a twist of fate. This is, without a doubt, a step in the right direction for Cianfrance who made a name for himself rather quickly with 2010’s Blue Valentine. I was a fan of the tightly wound performances in Blue Valentine,…
By: Addison Wylie Now that this year’s Hot Docs coverage has come to an end, it’s time to introduce my new video segment to you all. Does It Float? will have me revisiting films I gave positive reviews to and seeing if they hold up on a second viewing. Sometimes, a film can be heightened by the experience or with a certain type of crowd. With Does It Float?, I plan to give you both sides of…
By: Addison Wylie I could say that Sam Raimi’s OZ: The Great and Powerful puts the ‘Z’ in OZ because of how sluggish and boring it is, but that wouldn’t make for much of a review. Instead, OZ: The Great and Powerful can be compared to Tim Burton’s Alice in Wonderland, another big budget fairy tale that shares the same strengths and weaknesses as OZ. Like Tim Burton’s hit, Raimi’s family film is far more interesting…
By: Addison Wylie According to The Ghosts in our Machine, it’s easier for photographer Jo-Anne McArthur to go unseen in factory farms than it is to be seen in major publications. McArthur has dedicated her life to capturing the life of unkempt animals through her lens to spread the word of inhumane treatment aimed towards animals to garner material goods. Whether she’s tagging along with other passionate individuals or executing guerrilla missions as we saw…
By: Addison Wylie Morag McKinnon and Emma Davie’s documentary I Am Breathing is really good and moviegoers will be thankful that they were fortunate to see it. Audiences feel enlightened having spent time with Neil Platt. Platt, having been diagnosed with MND (Motor Neurone Disease), spends his life paralyzed as he plays with his son and humours his nurturing wife. He loves words and always has interesting things to say and even more interesting ways…
By: Addison Wylie For audiences needing a psychological horror fix, Derek Franson’s Comforting Skin may do just the trick. It certainly did for me. It’s a film that starts unsteadily as our main lead is introduced to us. Koffie (yes, that’s her name, and she’s played terrifically by Victoria Bidewell) is down and out and feeling as if no one wants anything to do with her. She’s dishevelled, has a past that hasn’t been bright,…