By: Addison Wylie Making a movie about Dorothy Gale’s next adventure after her legendary fantasy in Oz is a tall order. There may have been movies made about life after Oz, but that doesn’t nullify the large ratio of error for future works. It’s to no surprise that the paltry produced Legends of Oz: Dorothy’s Return doesn’t come through. The bar is set at an impossible height it cannot reach with its ordinary animation and unrefined…
By: Addison Wylie Life Itself has the sympathetic appeal and gravitas of a rightfully great documentary about an unbreakable legacy. It’s the type of film Roger Ebert would’ve liked, even if it wasn’t chronicling the late film critic’s life and times. Ebert’s “thumbs up/thumbs down” signature alongside buddying rival Gene Siskel left more than just an imprint on the film industry. Their clashing opinions and exuberance for winning movies had readers and viewers alike riveted….
By: Addison Wylie Comedy comes naturally for Brent Butt. Say what you want about his clean-cut deadpan performances and how “it doesn’t work for you”. But, six seasons of a highly popular footnote in Canadian television is nothing to ignore. Myself – along with a large cult fan base – find the Saskatchewan born comic to be hilarious and in tune with all the components it takes to make people laugh: delivery, timing, and content….
By: Addison Wylie “Is this really happening?” Get used to those four words, people. You’ll be asking yourself that a lot during Words and Pictures, a big letdown that wavers between an overplayed drama, an awkward romantic comedy, and hokey classroom schmaltz. Despite that harsh statement, Words and Pictures isn’t flat-out bad. We at least have watchable performances by Clive Owen and Juliette Binoche. Their roles as teachers who butt heads (Binoche being the more…
By: Addison Wylie A film can tell you nothing for no good reason, having you frustrated until the final frame. Sometimes, a movie can keep everything a secret and get away with it because of how intriguing it is. Alex van Warmerdam’s haunting Borgman is a magnificent example of the latter. Borgman is a weird flick, but daring because of that. The skillful filmmaker has set up his plan masterfully, and has the average movie…
By: Addison Wylie This weekend, a form of torture…er…a “spellbinding” new documentary called Manakamana (pronounced Mana-Ka-Mana as suggested by the film’s poster) will be released upon the public. Those moviegoers should buckle up for a stinker, and maybe bring a pillow while they’re at it. To be honest, I’m surprised I’m writing a review. About halfway through this aggravating experience, I was predicting I would be curled up in the fetal position, rocking back and…
By: Addison Wylie The Case Against 8 takes you right to the very beginning of the scandalous, distressing times involving California’s passing of Proposition 8. Watching clips of Prop 8 propaganda and observing professionals talking in all seriousness about the benefits of the amendment is like falling through the looking glass. It’s hard to believe that this period existed and that 18,000 couples with different sexual orientations were told their marriages were voided. Shooting and…
By: Addison Wylie Me and You marks the return of Bernardo Bertolucci as he cozies his way back into the director’s chair. After all, it’s been a decade since audiences caught Bertolucci’s controversial, NC-17 drama The Dreamers. The filmmaker has toned matters down for Me and You compared to the graphic content in The Dreamers, but his latest is unique in its own way. I wouldn’t go as far as to say Me and You’s…
By: Addison Wylie There should be entertainment in watching something as expensive and clueless as Winter’s Tale foul up as bad as it does. To do so, there has to be peculiar performances or unusual story elements to keep us guiltily hooked. Winter’s Tale has these, but it’s empty core covers any unintentional laughs. It’s a film serviced by a writer/director who can’t fully comprehend the source material he’s adapting. Akiva Goldsman has been a producer on…
By: Addison Wylie My admiration for Kevin Smith comes and goes. If there’s one trait of his that I’ll always appreciate, it’s his choice to help up-and-comers in the film industry. Smith helping out Matt Johnson with his incomparable indie The Dirties is an excellent example of his compassion towards a new generation of storytellers. Jay and Silent Bob’s Super Groovy Cartoon Movie is another one of these projects. Smith has stated that Jay and…