I Propose We Never See Each Other Again After Tonight
I Propose We Never See Each Other Again After Tonight has an ungainly title but, luckily, the film’s memorable efforts are more than distracting.
I Propose We Never See Each Other Again After Tonight has an ungainly title but, luckily, the film’s memorable efforts are more than distracting.
Netflix follows up The Princess Switch: Switched Again with another disappointing seasonal sequel to one of their holiday hits, The Christmas Chronicles.
I’m laying my cards out on the table: I have an unconditional love for Nickelodeon. The network defined my childhood, helped diversify my media and sense of humour, and it was an outlet for truly unique entertainment. As much as I tried to enter Scott Barber and Adam Sweeney’s documentary The Orange Years: The Nickelodeon Story without an enamouring bias, it was impossible.
Screenwriter Darius Marder teams up yet again with filmmaker Derek Cianfrance. Only this time, the roles are reversed with executive producer Cianfrance taking a story credit and Marder (still penning the screenplay) stepping into the director’s chair. The finished film, Sound of Metal, is as much of a masterpiece as their last collaboration, The Place Beyond the Pines.
We’ve all seen a movie that pairs an uncomfortable adult with a precocious child, and usually the humour stems from their awkwardness that develops into an endearing dynamic as their chemistry develops. Saint Frances is no different, and about halfway through the movie I thought I had Alex Thompson’s film figured out. Little did I know that the film was quietly providing the groundwork for inspiring feministic themes that would elevate the material above its…
The original cast, director, and screenwriters from Netflix’s surprise hit The Princess Switch have reunited for The Princess Switch: Switched Again to offer fan service for at-home viewers. But even though the production remembers what tickled audiences the first time around, they have failed to capture the same spark in this rusty sequel.
Recently, I reviewed the hilariously spot-on holly-jolly spoof Cup of Cheer. The comedy did such a good job calling out tropes, clichés, and lazy writing found in Christmas movies. What it didn’t do, and what I realized after watching My Dad’s Christmas Date, is that Cup of Cheer didn’t poke fun at deceptive movies that bait viewers with seasonal qualities to dress up an otherwise dismal story. If My Dad’s Christmas Date didn’t occasionally show…
In an unremarkable directorial debut from actor Nicol Paone, and randomly produced by The Heartbreak Kid co-stars Ben Stiller and Malin Akerman, Dinner with Friends features pals Molly and Abby (Akerman, Kat Dennings) hosting a small Thanksgiving that gradually becomes more outrageous as the night progresses. The guest list grows, and the entertainment evolves the get-together into more of a party where magic mushrooms and sexcapades become a primary topic of discussion. There isn’t much…
The Kid Detective has done the best job, in recent memory, explaining why a mystery’s leading sleuth is such a sad sack. The enigmatic and eccentric personality has become such a cliché in the genre, that the audience just expects and accepts the detective to be grizzled, or unhappy, or an unpredictable hot head. In The Kid Detective, Abe Applebaum (Adam Brody) carries those traits, but writer/director Evan Morgan provides compelling motivation which fuels Brody’s top-form…
By: Trevor Chartrand The Cuban explores the burgeoning friendship between a pre-med nurse, Mina (Ana Golja), and the elderly man she’s assigned to take care of (Louis Gossett Jr.) after she takes a job at a retirement home. Her charge turns out to be a stubborn, guarded man named Luis Garcia; a man plagued by Alzheimer’s, with a side order of dementia to boot. As the two spend more and more time together, Mina discovers…