Known for his unapologetic reviews in London’s Daily Chronicle, theatre critic Jimmy Erskine (Mr. Holmes’ Ian McKellen) finds himself in hot water when the publication gains new ownership, the newspaper’s heir David Brooke (Mark Strong of the Kingsmen franchise). Brooke requests that Erskine should find a lighter attitude when criticizing productions. Jimmy is particularly tough on actress Nina Land (Gemma Arterton of Hansel & Gretel: Witch Hunters) to such a degree that triggers her to confront the writer. While it seems as though Jimmy is able to humanize with Nina and have a heart, Erskine’s job is jeopardized after a scuffle with the law; which persuades him to manipulate those around him in a scheme that will keep him employed and give him power against Brooke.

Make no bones about it – The Critic is very melodramatic. However, while that’s usually perceived as a red flag, these high emotions work in favour of the film. As more people become involved in his deceit, Erskine’s life starts to resemble the gaudy work he reviews. What’s that Shakespearean phrase? “All the world’s a stage….”

Director Anand Tucker (Shopgirl, Leap Year) and Closer screenwriter Patrick Marber (adapting from Anthony Quinn’s novel Curtain Call) transition into these raised stakes well, despite occasionally overreaching for a reaction from the audience. They also maintain the consistency of Erskine’s flawed personality up until the bitter end, with the help of McKellen’s captivating performance.

While The Critic appears to be a macabre movie with its dicier twists, it’s actually an easy watch and a reliable recommendation.

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Addison Wylie: @AddisonWylie