By: Addison Wylie Wylie Writes’ coverage of TIFF’s Jim Jarmusch retrospective began with a mixed bag of shorts, and ends with a mixed bag of concert cutouts and behind-the-scenes glimpses. It’s undoubtable Jarmusch captures a raw vision of Neil Young and Crazy Horse with his scattershot Year of the Horse.  The filmmaker catalogues footage from unique perspectives;  the performances are especially visceral if occasionally obscured.  He switches between different film stocks (16mm, Hi-8 video, and Super 8)…