Zola, to an extent, is experimental with its narrative. While it flows coherently, the film is very much still in tune with its source material – a series of tweets explaining a story that’s “strange yet true” – and presents itself as someone spinning you a wild yarn (intercut with tangents and outbursts).
By: Addison Wylie InRealLife is bothersome with its portrayal of the Internet, those who use it, and its overall miscalculated goal. It feels as if filmmaker Beeban Kidron is out to scare rather than to inform. Kidron even goes as far as to show the traveling of online information in the dankest of spots using creaky sound effects to get the viewer to put up their safeguard. I thought I signed up for watching a…