The Foxy Merkins (DIR. Madeleine Olnek) By: Addison Wylie Margaret (played by Lisa Haas) has taken on the life of prostitution and homelessness. Being that she’s a lesbian, her clients are all high end females looking for a good, undisclosed time. While on her way to find a place to sleep, she meets Jo (played by Jackie Monahan). The two hit it off almost instantly, and Jo – who’s also homeless – soon starts to show Margaret…
Just as other festivals offer a “Midnight Madness” selection, Hot Docs hopes to bring in the same crowd with its Nightvision screenings. These documentaries feature brazen topics and massive cult followings; films that are certainly unlike any other. An added bonus is the discounted price of films screening after 11:00 p.m. For a cool $7, treat yourself to some of these neat docs. If you’re into horror, you should give Alexandre Philippe’s doc a shot. Doc of the Dead (DIR. Alexandre Philippe)…
Crime often features some prime subjects for documentarians. The stories sometimes serve up a ruthless criminal, unbelievable twisty pasts, and layers upon layers of aggressive activity with hopes that justice will prevail. The docs are even more riveting because none of this is fiction. This year’s festival isn’t without a few crime docs. Let’s take a look at a couple of them. Whitey: United States of America v. James J. Bulger (DIR. Joe Berlinger) By: Addison Wylie…
To movie goers who may not be doc-savvy, they may instantly think a documentary has to be a film where talking heads flap away while being accompanied with relevant b-roll. That’d be unfortunate because that’s not always the case. The Hot Docs International Documentary Festival tries to provide audiences with documentaries that set out to portray the genre from a different angle. The festival does a solid job at providing plenty of examples. However, there are…
By: Addison Wylie The House of Magic is an abundantly likeable film, and will certainly be a memorable pick at this year’s TIFF Kids. On the surface, the bouncy flick has all the ingredients for a smiling good time at the theatre. There’s an adorable cat, whimsical magic, and stunning animation paired with incredible use of 3D technology. It’s to be warned that Jérémie Degruson and Ben Stassen’s film isn’t all sunshine and rainbows for the first…
By: Addison Wylie William Joyce and Brandon Oldenburg return to TIFF Kids. This time, they’re not here to make me blubber like a baby (see: The Fantastic Flying Books of Mr. Morris Lessmore). The filmmakers are here to make me laugh and impress me with wit. Based on an iTunes app also called The Numberlys, the short film features five employees who are fed up with creating the same boring numbers at their factory job. One…
By: Addison Wylie If I have one positive to say about Matthew Pollack’s autobiographical documentary, it’s that the film is rightfully titled. By the end credits, I didn’t want anything to do with Pollack. I actually wished I hadn’t bothered with this icky film in the first place. Run Run It’s Him is supposed to serve as a coping tool and a means of comprehension for Pollack with his obsessive addiction to pornography. Matthew’s fascination…
Out of all the festivals I’ve ever covered, the Hot Docs Film Festival is one of my favourites. It’s a festival that always promises a deep array of different types of documentaries from a variety of different countries. It’s very hard to find one doc that resembles another in Hot Docs. The press conference held at Toronto’s Bloor Hot Docs Theatre on March 18 certainly built the buzz well. The audience had the pleasure of…
By: Addison Wylie Recently, we’ve seen Hansel and Gretel battle witches with steampunk weaponry in Hansel & Gretel: Witch Hunters and defeat a nefarious pot-peddling evildoer in Hansel & Gretel Get Baked. I’m still racking my brain as to why these Brothers Grimm siblings got the resurgence they did. Perhaps, the timing of it all makes H&G initially refreshing. It’s nice to see filmmaker Danishka Esterhazy take a low-key approach to this fairy tale and…
By: Addison Wylie North Americans have Will Ferrel’s Ron Burgundy, an on-camera anchorman who’s self-centred arrogance has him chewing down on his own foot often. In Europe, the Brits have Steve Coogan’s Alan Partridge. Partridge is an egotistical radio personality obsessed with a celebrity image and a winning smile. Where Burgundy can read on screen as a pompous jerk with a heart of gold steeped in spoof misogyny, Partridge is more endearing. He always finds…