Some Other Woman
Some Other Woman doesn’t tell us much about its psychological thriller of suspicion and distrust, but the audience believes they’re witnessing a ritual.
Some Other Woman doesn’t tell us much about its psychological thriller of suspicion and distrust, but the audience believes they’re witnessing a ritual.
By: Trevor Chartrand Lonzo Nzekwe tells a very personal story in his gritty revenge-thriller, Orah. Having lost his brother at the hands of an alleged corrupt police officer in Nigeria, the filmmaker has admittedly helmed this movie as a sort-of revenge fantasy; with his characters exacting justice in ways he never could. As the film’s writer and director, Nzekwe’s ambitions are noble and empowering but, as a film, Orah is ultimately a messy series of…
The Seeding may be the first great horror movie of the year and, yet, it’s a tough recommendation.
ROMI is the artificial intelligence system that assists a fancy-schmancy smart home in Robert Cuffley’s horror-thriller of the same name. Young hit-and-run fugitive Maddie (Alexa Barajas of TV’s Yellowjackets) has been assigned to stay at the exclusive house to maintain her cover while her politician mother runs for election without any controversies. Maddie’s getaway is also assisted by the home owner Hertig (Pavel Kriz of Mission: Impossible – Ghost Protocol) and programmer extraordinaire Barkley (Juan…
Dangerous Waters may be an over-the-top thriller, but it’s also unpredictable with every twist and turn. That ought to right some of its wrongs…right?
Nobody “phones it in” for Mathieu Turi’s subterranean thriller The Deep Dark, although their efforts are for naught; simply because this movie isn’t a good fit for their work.
In Fair Play, Emily (Phoebe Dynevor of Netflix’s Bridgerton) and Luke (Alden Ehrenreich of Solo: A Star Wars Story and Cocaine Bear) are financial analysts who are discreetly dating but individually on the offence at the workplace. The hedge fund they work for is highly competitive, but unprofessional when dealing with internal matters. An open promotion heard through the grapevine makes everyone more sharp and vicious, but it’s Emily who is eyed for the position….
Last week, The Retirement Plan disappointed me with its inconsistencies. What I didn’t acknowledge in my review, buried underneath the tacky filmmaking, was a tangent involving a congenial heavy-hitter played by Ron Perlman (of Guillermo del Toro’s Hellboy series). Perlman is squandered, portraying a brute named Bobo who shows compassion towards a young victim and eventually seals his fate after reuniting with Season of the Witch co-star Nicolas Cage.
M.H. Murray’s I Don’t Know Who You Are is a well-meaning dramatic thriller that raises awareness about systemic abandonment felt by sexual abuse survivors.