A Breath Away emerges in the midst of a growing number of films dedicated to portraying the horrors of environmental disaster. Timely as it is horrifying, A Breath Away is an emotionally-charged thriller that broadly follows the algorithmic pattern set by previous disaster films, and has little to say ideologically about its central issues.
By: Trevor Chartrand Written and directed by Jon Keeyes, The Harrowing is a supernatural thriller that lacks nail-biting tension and edge that would keep viewers hanging on every word. Despite some decent visual effects and cinematography, the film fails to truly inspire fear from its audience.
An adventure is difficult to endure when it’s lacking thrills or fun. A film made by unenthused people is hard for an audience member to get wrapped up in. Antidote, a supernatural thriller starring mixed martial arts powerhouse Randy Couture, is an example of both unsavoury moviegoing situations.
Number 37, which recently premiered this summer at the Fantasia Festival, proves an old argument: some films should not be remade. In this case, director Nosipho Dumisa has updated and resituated Alfred Hitchcock’s classic thriller Rear Window within the generic contours of the gangster sub-genre.
A J.J. Abrams production is like the latest hipster eatery: they take a lot of effort to put together and people apparently like them, but once you have experienced one, it becomes apparent just how incredibly overrated they are. This is why I’m always so wary of these productions, and why his latest produced feature has been such a surprise – Overlord, directed by Julius Avery, is actually enjoyable!
Extracurricular (DIR. Ray Xue) As the Canadian pop-punk band Sum 41 once sang, “motivation, such an aggravation.” That seemed to be Ray Xue’s complaint as well when he was directing Extracurricular, which is the only way to explain why anything in this film happened. Long time readers may recognize the number one rule of TAD: if a film is having its world premiere here, it will be terrible. This is not a knock against any of…
One thing that differentiates Toronto After Dark from a lot of other horror festivals is their affinity and respect for short films. In an age of streaming and general new media, short films are the future of genre cinema and it is always important to give them a venue, since most of them will never see the inside of a cinema.
I Am a Hero (DIR. Shinsuke Sato) I Am a Hero is long. That is not often how a review will start, but that may be the most remarkable thing about this new zombie film from Japan – running at over two hours, it is needlessly long. Otherwise, it doesn’t reinvent or make any new addition to the zombie mythos, it doesn’t have anything interesting to say, and it doesn’t really pick up until the third…
Prey (DIR. Dick Mass) Sometimes viewers are given the rare pleasure of experiencing a film that, by all intents and purposes, should be awful. Whether because of its genre’s history or just a general sense of ridiculousness, these films need to be dead on arrival, but sometimes a film is way better than it has any right to be. Dick Mass’ Prey, a film about a giant man-eating lion causing carnage in the streets of Amsterdam,…
Overlord (DIR. Julius Avery) American soldiers are dropped into German-occupied France and need to prepare for the D-Day invasion, but they find that the Germans are involved in some messed-up stuff.