What happens when Andrey Zvyagintsev makes a political film with a female lead? A disappointing monstrosity that could’ve been a masterpiece with forty-percent discarded.
Las Vegas entertainer Molly (Brittany Allen) encounters a stray member of the undead in Nevada’s desert (aka. the Valley of Fire) while a zombie apocalypse breaks out. The blood-thirsty brute terrorizes Molly by stalking her through the desolate outskirts, which is an incredible challenge since Molly has seen how ravenous and relentless her enemy is. Knowing safety is 36 miles away is added distress for Molly since maintaining energy and will is a personal struggle for…
To promote the theatrical release of Blood Honey, Juan Carlos Noguez Ortiz sat in Toronto’s Yonge-Dundas Square and had a swarm of bees cover his face for a Guinness World Record breaking 61-minutes. That’s nothing; try watching the movie. Now, there’s a challenge.
There’s not much that You Get Me actually “gets” other than a few unintentional, campy laughs.
Derivative scares are surrounded by boring filler and exposition in Phoenix Forgotten, a feature debut by graphic artist Justin Barber that’s also been stupefyingly blessed by producer Ridley Scott (Alien, Blade Runner, The Martian).
Black Butterfly is practically a two-man show in the middle of the woods starring Antonio Banderas and Jonathan Rhys-Meyers. Banderas plays Paul, a writer who has isolated himself to forge forward on his latest draft. Rhys-Meyers plays Jack, a prickly drifter who creates anxiety for those around him. An altercation brings the pair together, leading to an unconventional bond over Paul’s writing. Jack’s visit, however, takes a sharp turn as the duo exchange power over heated…
By: Nick Ferwerda 47 Meters Down follows sisters Lisa (Mandy Moore) and Kate (Claire Holt) on a Mexican getaway. After a recent break-up with a long-term boyfriend, Lisa wants nothing more than to make him jealous and prove she isn’t the boring individual he made her out to be.
The Bad Batch is a gnarly postmodern western.
There is a tradition in American horror cinema of making a short film with a lot of effects and minimal plot to be eventually used as a calling card. It seems like this practice has found its way into the feature length semi-mainstream. At least, that’s the only explanation for the existence of Trey Edward Shults’ It Comes at Night, a film which shows the director’s abilities as a horror filmmaker – including his great gift for…
Will you find Awakening the Zodiac thrilling? Does the thought of rummaging through a mundane mystery excite you? How about if you’re rewarded with a looney final act that contradicts the film’s creeping atmosphere? This isn’t a good sell because you already know the disheartening answers.