Known as “The G” to family, anger hangs off of Ann Hunter (Dale Dickey of Leave No Trace and Hell or High Water). As the primary caregiver for her ailing husband despite feeling as though everyone perceives her as a liability, Ann doesn’t have time to sugarcoat anything through her utter exhaustion. When she and her husband are abruptly relocated from their suburban home to a care facility by their legal guardian, Ann is upset…
Cat-and-mouse thriller Pins & Needles can’t escape its flaws. Unfortunately for editor-turn-filmmaker James Villeneuve, there’s plenty of them in his feature-length debut (which had its world premiere last month at the Blood in the Snow Canadian Film Festival).
With an impressively involving story using multiple methods to scare the viewer, Hold Your Breath is just the ticket for this year’s Halloween season.
Protocol 7 answers that scenario that we’ve all played out in our head – what if a doctor made a Hollywood legal thriller? Director Andy Wakefield, a former physician and documentarian who is also an adamant anti-vaccine activist, makes his feature-length narrative debut with Protocol 7. The movie may fare better than his menacing doc, Vaxxed: From Cover-Up to Catastrophe, but that’s also damning with faint praise.
Quaint humour and wholesome gags about retired life collide with a character-driven, Coen Brothers-inspired thriller in Thelma. In her best role since her Oscar nominated work in Alexander Payne’s Nebraska, June Squibb proves her chops as a late-career lead as the titular golden-ager. Lonely albeit confidently independent in Los Angeles, Thelma isn’t seen as a liability to her daughter (Parker Posey), her son-in-law (Clark Gregg), or her grandson (Fred Hechinger). However, a phone scam that…
The Exorcism is a reminder that filmmakers have a “shot clock” when trying to map out their movies.
By: Trevor Chartrand Insane Like Me? is the first feature film from director Chip Joslin, who also wrote the script with the movie’s star, Britt Bankhead. This lackluster thriller has a number of faults, most of which are hard to ignore.
Newfoundlander director Christian Sparkes (Hammer) seems as though he dipped into A24’s back catalogue to draw inspiration for his effective east coast chiller The King Tide. While there may be stylistic similarities to David Eggers’ work (The Witch, The Lighthouse) and Ari Aster’s movies (Hereditary, Midsommar), Sparkes’ ominous dramatic thriller doesn’t necessarily resemble Canada’s usual output. At least, not since Denis Côté’s Ghost Town Anthology.
