By: Addison Wylie I didn’t like The Disappeared, but I can at least compliment its opening shots.  Director Shandi Mitchell quickly establishes the nothingness that exists around a crew of lost men at sea.  Mitchell generates an instantaneous sense of fear and hopelessness as the vagueness in their whereabouts and time of day effects the audience greatly. Then, someone speaks.  And, more people speak.  It’s not so much speaking as it is projecting and emphasizing…