By: Addison Wylie If you thought the big screen world of Cloudy with a Chance of Meatballs couldn’t get any stranger, you obviously haven’t visited a world full of live, hybrid leftovers. Directors Cody Cameron and Kris Pearn (the latter having some involvement with the film’s predecessor) are fully aware as to how Cloudy with a Chance of Meatballs won audiences over with its wild visuals and bizarre sense of humour. That’s why there’s even…
By: Addison Wylie I feel it’s almost necessary to start a review for We’re the Millers stating that Jason Sudeikis’ pot dealing character is never shown smoking marijuana or hinting that it could be smoked. I’m also inclined to state that while Jennifer Aniston’s broke, erotic dancer character is occasionally shown in scantily clad underwear, it appears she also works in the only strip club establishment where other dancers stay covered. These may sound like…
By: Addison Wylie Mark Millar and John Romita Jr.’s universe they’ve created for their comic book Kick-Ass is severely twisted. Filmmaker Matthew Vaughn took that warped sense of humour and gritty violence to the big screen in 2010 where it was received with mixed reactions, but has earned cult status. Three years later, another filmmaker has decided to capture Millar and Romita Jr.’s insanity for a balls-to-the-wall sequel. For writer/director Jeff Wadlow, the hardest part…
By: Addison Wylie Taking a break from his independent fare, filmmaker David Gordon Green got familiar with the Apatow brat pack – launching him to direct the uneven but oddly memorable Pineapple Express. His directorial hand was embraced and pushed him down a path helming louder movies like Your Highness and The Sitter, two off-putting crudities that aren’t worthy of Green’s time and talent. With Prince Avalanche, it feels as if Green is making the…
By: Addison Wylie You’re Next presents a fairly standard murder mystery. An estranged, slightly disgruntled family meets at a lovely house to celebrate a wedding anniversary and before they know it, the first guest is assassinated during dinner. What starts as a film that seems to be wanting to follow similar horror footsteps, stops winking towards the camera once the kills commence. It plays each trope with a straight face and sticks to a formula,…
By: Addison Wylie The good news: Joshua Michael Stern’s biopic Jobs never feels inappropriate or tasteless. It hardly feels as if the film was made with ill-advised intentions or to meet a strict relevancy deadline. However, I can see a large portion of the movie going public leaving the theatre at the end wishing there was more to Stern’s film chronicling the life and times of the late inventor and Apple guru Steve Jobs. Jobs…
By: Addison Wylie I can only write a review for Richard Linklater’s Before Midnight with a biased opinion. Not only am I a fan of Linklater’s two previous acquaintances with romantics Jesse and Céline (both played wonderfully by Ethan Hawke and Julie Delpy), but I’m also someone who fell head over heels for someone lovely who soon became my wife, and we proceed to take long walks and ramble until we forget where we were…
By: Addison Wylie My disappointment with The Conjuring isn’t caused by oodles of pre-release buzz, but because I know director James Wan can do so much better. Wan, who I consider a modern day master of horror, knows the genre well. He’s able to build tension and isn’t afraid to milk a quiet situation for all that it’s worth. He knows exactly how long to hold the viewers’ anticipation and how far to drag them…
By: Addison Wylie Nat Faxon (who you may have seen playing bit parts in Broken Lizard films and playing the title male on the unfortunately short lived TV show Ben & Kate) and Jim Rash (who you may have caught on the cult television hit Community) have Academy Awards under their belts. Their screenwriting, along with Alexander Payne penmanship, earned all three of them a prestigious Oscar for their adaptive screenwriting in The Descendants. Now,…
By: Addison Wylie It’s generally known that a sweet-and-salty combo more than likely delivers successful results. While Superman’s latest origin story Man of Steel has problems, the sweet-and-salty pairing of director Zack Snyder and producer Christopher Nolan (with Nolan’s Batman screenwriter David S. Goyer penning this script as well) entices movie goers and the results pull mesmerized, giddy audiences to the edge of our seats. Snyder is no stranger to graphic novels and superheroes. Unfortunately,…