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The Room Next Door

By: Addison Wylie The Room Next Door is headlined by Tilda Swinton (Michael Clayton) and Julianne Moore (Being Alice), performing under the direction of Spanish filmmaker/screenwriter Pedro Almodóvar (Talk to Her). While this drama feels like an easy task for these Oscar winners, that’s essentially the magic of the film and what makes The Room Next Door effortlessly great. For the Parallel Mothers filmmaker, Almodóvar makes his English-language debut with The Room Next Door; though the audience wouldn’t have noticed. Aside…

Reviews

The Outrun

In The Outrun, Rona (Little Women’s Saoirse Ronan) finds herself using alcohol as a coping mechanism.  However, she’s also aware that she may be abusing the escape from reality.  Trying her best to occupy herself with passions, relationships and changes in scenery, her inability to control urges to binge drink distances herself from her parents and her selfless boyfriend Daynin (Papa Essiedu), as well as places her in harm’s way.

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Between the Temples

By: Trevor Chartrand The notoriously quirky Jason Schwartzman (The Overnight) stars in Between the Temples as – brace yourself – an odd-ball character.  Shocking, right?  In all seriousness though, Nathan Silver’s offbeat film does ultimately prove to be a relatively serviceable, if tired, indie-style dramedy.  To the movie’s credit, Silver explores an otherwise formulaic narrative with a character-focused vulnerability that truly enhances the material.

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Daddio

Daddio looks like an effortless movie, which is its greatest strength.  Some of this credit can be offered to its central stars, The High Note’s Dakota Johnson and Milk Academy Award winner Sean Penn, who are both working at the top of their games.  But, it’s writer/director Christy Hall who deserves to be praised for her impeccably controlled feature film debut.

Reviews

Wicked Little Letters

The scandal at the centre of Britain’s dark comedy Wicked Little Letters – mail addressed from an anonymous source that uses risqué language – seems petty in comparison to the waves of crime procedurals at-home audiences educate themselves on weekly. But as naïve as the crime may appear to be, the controversy spoke to the times and ignited much needed awareness around inequality.

Reviews

They Shot the Piano Player

They Shot the Piano Player is an animated docdrama that, ultimately, failed to connect with me.  But, to credit filmmakers Javier Mariscal and Fernando Trueba (co-directors of the Oscar-nominated animated film Chico & Rita), the movie’s efforts are certainly not wasted.

Reviews

The Peasants

With The Peasants, filmmakers DK Welchman and Hugh Welchman return to a similar animation style that previously earned them an Academy Award nomination for 2017’s Loving Vincent.  Loving Vincent was a tribute to artist Vincent van Gogh, both in spirit and in visual flare.  The Peasants adapts Wladyslaw Reymont’s novel of the same name, and channels the artistry of various painters from the 19th and 20th century.  While I can’t confidently comment on how faithful…

Reviews

Shortcomings

By: Jolie Featherstone Adorable funnyman and prolific Hollywood actor Randall Park (seriously, look at his IMDB page) makes his feature film directorial debut with the much-anticipated Shortcomings, based on the lauded graphic novel series by Adrian Tomine who also adapted the screenplay.

Reviews

Living

Acclaimed character actor Bill Nighy has earned his first Oscar nomination for his lead performance in Oliver Hermanus’ Living, a retelling of Akira Kurosawa’s Ikiru set in 1950s London.  Nighy more than deserves the nomination.  This isn’t a case of his peers tipping their hats to his legacy of work.  The role of Williams, an intimidating yet reclusive boss who learns about a critical health diagnosis giving him six months to live, is a change…