By: Addison Wylie I have a bit of history with Silent Retreat. I caught Tricia Lee’s thriller at last year’s Toronto After Dark Film Festival where it received its fair amount of warm reception.  Though the filmmaker was clear about the film’s intentions in a post-Q&A, it was a pick at the festival that really rubbed me the wrong way. The flick’s primary problem was that it was dramatically overscored.  It’s smothering music told the…