Late Night with the Devil
Late Night with the Devil is a high-wire act that has the viewer glued to the screen at all times. And, just when we thought period variety shows couldn’t be any scarier than the Mother of All Shows.
Late Night with the Devil is a high-wire act that has the viewer glued to the screen at all times. And, just when we thought period variety shows couldn’t be any scarier than the Mother of All Shows.
There’s an unwritten rule that suggests that the first few minutes of a movie are the most crucial. This isn’t a knock on shortened attention spans. As much as we would like to reward patience at every moment, viewers can usually gauge their interest within these initial scenes – it makes or breaks a movie.
I can’t quite place my finger on when audiences last received an experimental horror like Kyle Edward Ball’s Skinamarink, and I think that’s because a lot of filmmakers would be too intimidated to take a crack at it. Making a movie like Skinamarink requires a filmmaker to be brave, insane, self-aware yet purposely reject what qualifies as entertainment nowadays, and completely commit to the film’s static presentation. Ball has all of these traits, which is…
Dark Glasses is a contemporary giallo from legendary Italian filmmaker Dario Argento. Approaching this movie as someone who is unfamiliar with Argento’s work and giallos in general, I was excited and nervous about what Dark Glasses would have in store (similar to my anticipation prior to David Cronenberg’s Crimes of the Future).
Deadstream is a fantastic horror-comedy that takes a questionable aesthetic and premise, and creates lots of scares and laughs through its innovation.