At a time where democracy is in danger of losing its way, it is necessary to ask a few questions regarding the next steps towards putting democracy back on the right path, and whether democracy is even a system worth saving. Astra Taylor’s NFB-produced What is Democracy? attempts that feat but, unfortunately, comes up short.
Sergei Loznitsa’s The Trial documents exactly what happens when dictatorial governmental powers are allowed to flourish and continue without question.
Featured in the festival’s Wavelengths selection, Andrea Bussmann’s Fausto shows audiences why this particular programme is so important for a well-rounded TIFF experience.
There is a police parade walking down the street. Dozens of men in uniform are walking in formation, surrounded by revelers. Suddenly, Andy Kaufman pulls out a gun and shoots someone down. He is subdued and shot. With his last breath, he says “God told me to.” I have only seen one Larry Cohen film, and yet it managed to contain one scene which placed itself directly into my brain. Cohen has spent decades writing…
If you have ever read Vito Russo’s The Celluloid Closet or have seen the 1995 documentary based on the book, you would know quite well that Hollywood was full of closeted queer individuals working as actors, directors, producers and everything else; trying their hardest to live their truest lives, while also keeping the truth hidden. Scotty and the Secret History of Hollywood tells another side of that story.
TIFF returns for another year, pushed along by their Tuesday announcement of gala and special presentation films. This first slate has the same level of films that frequently find their way into the earliest announcement: films that will eventually be nominated for Oscars, or be ignored for Oscars, or find their way into hot take articles about how they should have been nominated for Oscars.
We’re halfway through the year, which means it’s time for Wylie Writes’ recap of the best and the worst films of 2018. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
The Artist & The Pervert (DIR. Beatrice Behn, René Gebhardt) Beatrice Behn and René Gebhardt’s The Artist & The Pervert tells the story of composer Georg Friedrich Haas and author/activist Mollena Williams’ dominant/submissive relationship, as well as the public’s response to it.
The Cleaners (DIR. Hans Block, Moritz Riesewieck) Hans Block and Moritz Riesewieck’s The Cleaners is a documentary that claims to be one thing, but is really about another topic.
Golden Dawn Girls (DIR. Håvard Bustnes) Håvard Bustnes’ Golden Dawn Girls is a feature-length interview-of-sorts with several female relatives of Nikolaos Michaloliakos, the head of the far-right, Greek “social nationalist” party known as Golden Dawn.