Dumb Money is supposed to educate viewers on how the stock market was overturned by amateur buyers who invested in the video store retailer GameStop, causing a disruption felt by Wall Street. The film is informative, though viewers are still required to know the basics of stock market culture before buying a ticket. However, what I find more interesting than the biographical intentions of Dumb Money is that director Craig Gillespie (I, Tonya) has made…
By: Jolie Featherstone Winner of the 2022 TIFF People’s Choice Award and one of the most anticipated films of the year, The Fabelmans gives us a peek-behind-the-curtain…er, camera of one of the most beloved director’s of all time: Mr. Steven Spielberg.
By: Jessica Goddard Could a beautiful, successful, Type A presidential hopeful like Charlize Theron’s Charlotte fall in love with a slovenly, jobless, political cynic like Seth Rogen’s Fred? Long Shot is wholly predictable in both its conclusion to this question, and in how it gets us there. From the standard drug-fuelled escapade we’ve come to anticipate once per Seth Rogen film, to the “maybe if one day he shows up in nicer clothes she’ll start…
Having co-founded Hilarity for Charity with her husband, along with appearing in a handful of comedies (For a Good Time, Call…, Sausage Party), Lauren Miller Rogen flexes her filmmaking muscles in her directorial feature debut Like Father, Netflix’s latest dramedy.
Sausage Party is a shock comedy that’s heavy on “shock” and light on “comedy”. The film is supposed to subvert clean-cut animated films with inappropriate dialogue and black humour, but ends up becoming a crass and awkward in-joke between the comic cast.
The laughs in Seth Rogen’s first live-action sequel Neighbors 2: Sorority Rising are every bit a part of the movie’s rollicking Revenge of the Nerds pastiche. The film is driven by the dubious actions and deceptive prank wars between two scrambling teams, which amount to amusing, frenzied chaos.
By: Addison Wylie If Evan Goldberg and Seth Rogen are going to be filmmakers, they really should write their own material. Their directorial debut and sleeper hit This Is the End sustained itself because of their clever weisenheimer writing satirizing self-involved Hollywood socialites. With their highly anticipated and controversial second feature The Interview, the pair are responsible for the story along with Dan Sterling. However, this time, they’ve abandoned the screenwriting phase and let Sterling…
By: Addison Wylie If The Guilt Trip does anything right from beginning to end, it’s the casting. Not only do Seth Rogen and Barbra Streisand play off one another well, but they make a very convincing mother-son team. It’s easy to believe Rogen as an embarrassed hard worker who tries to separate himself from his overbearing mother, and Streisand takes hold of that smothering role with great effect. She’s irritating at times, but that just…
By: Addison Wylie The apocalyptic comedy This Is The End is a pretty good directorial debut from screenwriters/producers Seth Rogen and Evan Goldberg and on top of that, it’s pretty funny. More notably, it’s just about the closest thing North American cinema will get to emulating the meta movies of UK filmmaker Michael Winterbottom – for now Winterbottom has made popular films featuring actors Steve Coogan and Rob Brydon playing exaggerated versions of themselves. Their…
