Baby Driver’s Ansel Elgort plays the title character in Bill Oliver’s Jonathan, a sci-fi tale that benefits from its modesty yet is hampered by its lack of ambition.
Filmmaker Zack Russell and actor Kayla Lorette team up for another surreal short film with 7A.
7 Splinters in Time advances from a well-timed reveal. It’s a wordy spiel of exposition delivered by the dependable and always admirable character actor Austin Pendleton, but it’s a scene that justifies the film’s frenetic style and narrative; turning incomprehensible details into awesome creativity.
Director Asif Akbar (Smoke Filled Lungs) misses the mark with Astro, a sci-fi thriller that gets bogged down by its exposition-heavy script and convoluted plot.
By: Nick van Dinther Cartel 2045 was originally scheduled to be released three years ago. After years of tweaking and editing, it’s now available on VOD and Digital HD, but it still seems unfinished.
Radius has been inspired by The Twilight Zone but it pales in comparison; sometimes, even literally.
Orson Welles’ 1938 radio broadcast War of the Worlds was so convincing, some listeners were persuaded into thinking a martian invasion really was at large. Brave New Jersey, a quirky small-scale comedy from budding director Jody Lambert, sets a funny fictitious story in this historical footnote, resulting in a sweet and refreshing flick that stays faithful to its period.
Valerian and the City of a Thousand Planets is an astonishing film. Visually, it could even be described as a masterpiece. Unfortunately, a formulaic third act and a lack of chemistry between the two leads sink one of the most promising films of the year.
By: Nick Ferwerda Even with an open mind and fair expectations, the latest sci-fi/thriller The Recall will leave you feeling disappointed.
The Devout is a new addition to the faith-based genre, and it’s actually a pretty cool flick. You don’t often hear “cool” in the same discussion as recent faith-based cinema, so I assume I already have your attention.