By: Nick van Dinther As soon as you read the synopsis for Lost Solace, you can tell that this will be a unique story idea that, if executed well, will be a quite a treat for audiences. Thankfully, the film meets its potential and then some.
Radius has been inspired by The Twilight Zone but it pales in comparison; sometimes, even literally.
In 2014, at the Blood in the Snow Film Festival, I had rather exciting things to say about director Audrey Cummings. The film she screened was her feature film debut, Berkshire County, and while it treaded common ground, she at least showed enough awareness to spin clichés into something new.
By: Trevor Chartrand Kill Order is essentially a Crank film without the charisma or charm. It tries hard to be pulse-pounding and slick, but this punch-a-minute action flick is all fist and no fury. Given the film’s structure, it’s not surprising to learn writer/director James Mark has a lot of stunt department work on his resume, including action-driven films like Jumper and Pacific Rim. Kill Order favours style over substance, desperately stringing a series of…
Orson Welles’ 1938 radio broadcast War of the Worlds was so convincing, some listeners were persuaded into thinking a martian invasion really was at large. Brave New Jersey, a quirky small-scale comedy from budding director Jody Lambert, sets a funny fictitious story in this historical footnote, resulting in a sweet and refreshing flick that stays faithful to its period.
Valerian and the City of a Thousand Planets is an astonishing film. Visually, it could even be described as a masterpiece. Unfortunately, a formulaic third act and a lack of chemistry between the two leads sink one of the most promising films of the year.
By: Nick Ferwerda Even with an open mind and fair expectations, the latest sci-fi/thriller The Recall will leave you feeling disappointed.
The Devout is a new addition to the faith-based genre, and it’s actually a pretty cool flick. You don’t often hear “cool” in the same discussion as recent faith-based cinema, so I assume I already have your attention.
The Toronto International Spring of Horror and Fantasy Film Festival is a weekend dedicated to genre appreciation conceived by filmmakers Lari Teräs and Jon Lewis. The festival returns to the city’s indie hot spot Carlton Cinema on Friday, April 7 and carries through to Sunday, April 9, promising movie goers an eclectic three-day event filled with music videos, short films, and unique movies that are out-of-this-world.
The team behind last year’s efficient horror anthology Minutes Past Midnight return to bring similar chills and thrills with Galaxy of Horrors, another feature-length anthology hand-picked by Torontonian film programmer Justin McConnell. This time, he’s showcasing horror shorts with a sci-fi twist.