I can’t quite place my finger on when audiences last received an experimental horror like Kyle Edward Ball’s Skinamarink, and I think that’s because a lot of filmmakers would be too intimidated to take a crack at it.  Making a movie like Skinamarink requires a filmmaker to be brave, insane, self-aware yet purposely reject what qualifies as entertainment nowadays, and completely commit to the film’s static presentation.  Ball has all of these traits, which is…