Director Kire Paputts follows up his modest feature debut The Rainbow Kid with The Last Porno Show, an envelope-pushing character drama chronicling the personal arc of an aspiring actor taking over his estranged father’s faded adults-only move theatre. It’s a really good movie that doesn’t shy away from anything and bares it all. It stuck to me like shoes to the floor of a sold-out screening room.
There’s been some really interesting efforts from filmmakers merging horror, comedy, and sex. There was Mitchell Lichtenstein’s Teeth, a movie that punished hormonal cravings with a violent medical disorder, and David Robert Mitchell’s It Follows, a more sobering film about when careless passivity meets vulnerability during intimacy. Keola Racela’s Porno should be another ambitious example but, instead, it’s rather a raunchy B-movie that has more in common with Piranha 3D and Piranha 3DD – films that use the…
I Always Said Yes: The Many Lives of Wakefield Poole (DIR. Jim Tushinski) By: Addison Wylie Jim Tushinski’s doc is exactly like his subject when Wakefield Poole is dancing. The film is nimble, lovely, and tells a story. We’re always willing to go for the ride. When it comes to the arts, Poole has nearly done it all. He’s a dancer, a choreographer, a teacher, and has been described as a wonderful cook. His most famous forte,…
By: Addison Wylie If I have one positive to say about Matthew Pollack’s autobiographical documentary, it’s that the film is rightfully titled. By the end credits, I didn’t want anything to do with Pollack. I actually wished I hadn’t bothered with this icky film in the first place. Run Run It’s Him is supposed to serve as a coping tool and a means of comprehension for Pollack with his obsessive addiction to pornography. Matthew’s fascination…