Into Invisible Light would have had better compatibility on stage than how it currently plays in its cinematic scope. As it is, the movie’s fine – decent even. But by projecting itself to fill a larger space, Shelagh Carter’s modest dialogue-driven drama calls attention to its barebones aesthetics when really these details should be, well, invisible.
Michael Seater’s sophomore effort Sadie’s Last Days on Earth solidifies him as a filmmaker to watch for. He’s still budding within his new career, and yet he’s already a master at generating tender authenticity.
By: Addison Wylie Big News from Grand Rock is a petite Canadian comedy with petite laughs about a petite town where nothing really happens. Grand Rock’s friendly and carefree community is always seen smiling and wishing healthy salutations to each other. While this may be nice for people living here, it’s dull for those who work for the local newspaper. They have nothing significant to report on. Leonard Crane, a local try-hard journalist, tries to…
By: Addison Wylie Every so often, a movie comes along and upsets me heavily with how it wastes prime opportunities. February has slung that film at me and it’s called Sex After Kids, a Canadian independent comedy helped out with a successful IndieGoGo campaign. The only thing that stops me from getting really angry at Sex After Kids is that there is not a mean bone in its body. Filmmaker Jeremy Lalonde has truly tried…