By: Shahbaz Khayambashi Kilo Two Bravo may have surprised me, but Paul Katis’ film would have ultimately been better if it ditched the first and third acts. There is nothing new about the setup of this film: it is yet another bit of neo-white man’s burden propaganda which shows the importance of war while almost completely erasing the local victims of the aggression.  It is only in the second act that the film finds its bearings – turning…