The scandal at the centre of Britain’s dark comedy Wicked Little Letters – mail addressed from an anonymous source that uses risqué language – seems petty in comparison to the waves of crime procedurals at-home audiences educate themselves on weekly. But as naïve as the crime may appear to be, the controversy spoke to the times and ignited much needed awareness around inequality.
Mothering Sunday is, at least, commendable for the swings it takes. Instead of following a typical period drama formula, director Eva Husson (Bang Gang [A Modern Love Story]) and screenwriter Alice Birch (Lady Macbeth) explore a titillating affair through several time-jumping perspectives. At first, it’s frustrating to keep up with the pace that’s further developing the romance between housemaid Jane Fairchild (Assassination Nation’s Odessa Young) and elite gentleman Paul Sheringham (Josh O’Connor of God’s Own…
The Mitchells vs.The Machines is very much cut from the same talented cloth as Sony Pictures Animation’s Oscar-winning hit Spider-Man: Into the Spider-Verse. The brilliant artists at Sony Pictures Animation, yet again, set a new bar for computer animation; offering audiences indescribably energetic visuals that astonishingly never lose the film’s lightning-fast pace. But just like Spider-Man: Into the Spider-Verse, the story struggles to keep up with the film’s skill. The movie assuredly commits its general theme to the…
The Father is a really interesting Oscar contender, and not just within this year’s nominees – it would be a stand-out during any year.
Yorgos Lanthimos has been one of the most exciting voices in cinema for the past decade; from bringing attention to Greek cinema to bringing that off-kilter absurd style to an American audience. Across four features, Lanthimos’ style has been apparent in a variety of ways; from his films’ unusual stilted acting style to the general oddity of his imagery. Now, in his latest feature The Favourite, Lanthimos shows that his style is inherent, even if…