By: Nick van Dinther In Boundaries, director Shana Feste tells a story that’s loosely based on her relationship with her father and their shared life experience; which makes it surprising that one of the movie’s biggest setbacks is how cliché it is, and how it lacks realism.
Nick van Dinther
By: Nick van Dinther A great ensemble cast requires actors to seamlessly fit together, while simultaneously bringing their own uniqueness to the story and to their character. It’s a crucial key that Tag gets right, and it’s the main reason why this movie is so much fun.
By: Nick van Dinther It’s so difficult to pull off a horror film that’s truly frightening. Many movies rely on jump scares or violent deaths, but the results rarely stick with you after the fact. It’s a genre that’s incredibly divisive between both fans and critics, and fails more often than it succeeds for both. A filmmaker needs to bring something genuinely special and memorable to the table to appeal to all. Writer/director Ari Aster…
We’re halfway through the year, which means it’s time for Wylie Writes’ recap of the best and the worst films of 2018. Don’t forget to click the coloured titles to read a more detailed write-up about the film!
By: Nick van Dinther Birthmarked isn’t a bad movie, but it still feels like a missed opportunity.
By: Nick van Dinther Cartel 2045 was originally scheduled to be released three years ago. After years of tweaking and editing, it’s now available on VOD and Digital HD, but it still seems unfinished.
By: Nick van Dinther With a real-life figure like Bill “Spaceman” Lee, there is more than enough material to make an interesting biopic. Unfortunately, the creators of Spaceman decided to leave a lot of that material on the table.
The Oscars are tomorrow! In the meantime, allow Wylie Writes’ writers to guide you through their picks for the best films of 2017. Don’t forget to click the highlighted titles to read each contributor’s review.
By: Nick van Dinther Bruce Willis is at his best when he’s playing the sarcastic, one-lining ass kicker. In Eli Roth’s Death Wish, that’s exactly who audiences get.
By: Nick van Dinther Black Hollow Cage is so visually special, you could watch it on mute. The fact that writer/director Sadrac González-Perellón attaches a surreal story and engaging characters to the presentation makes this a must-see.