Pavarotti is a celebration of Luciano Pavarotti’s career and his achievements as a legendary opera singer and performer. Ron Howard’s documentary is jovial, just as Pavarotti was known to be. As someone who had limited knowledge of the timeless tenor, I walked away from Howard’s enlightening documentary with a new appreciation for music.
If you prefer science fiction to be grim, perhaps Pella Kågerman and Hugo Lilja’s Aniara will be your “thing”. Although I can’t comment on the film’s faithfulness to its source material (Harry Martinson’s Nobel prize winning poem of the same name), Aniara is very good in terms of riveting near-future sci-fi, but it’s definitely for a specific crowd.
The White Crow, written by Oscar nominee David Hare (The Reader) and directed by Harry Potter actor Ralph Fiennes, goes against the usual conventions of a biopic.
Never in my wildest dreams would I have predicted to watch an upbeat documentary about satanists. But, here we are: I have watched such a movie and, here I am, suggesting you do the same.
Hats off to Sophie Cookson, an actor who turns lemons into lemonade to some avail in Trevor Nunn’s tepid period drama Red Joan.
Sunset is a sophomore feature from Oscar-winning Hungarian director László Nemes (Son of Saul). Unfortunately, I haven’t seen Son of Saul, so I can’t compare notes nor can I comment on how the filmmaker has grown. However, I was reminded of another recent period film while I was watching Sunset – Yorgos Lanthimos’ The Favourite.
Giant Little Ones is a very sweet movie about confronting and dealing with homophobia as a teenager. If that reads like I’m patronizing the film, I don’t mean to be. This is an important coming-of-age story with a unique voice, and filmmaker Keith Behrman should be proud of his accomplished indie. It’s a hopeful movie that will hit home with audiences.
Benedikt Erlingsson must be a gambling man. With his new film Woman at War, he pushes the limit on imagination; crossing the narrative with elements of a thriller and a deadpan comedy. But like a gambler with no self-control, Erlingsson overestimates his luck; spinning the film’s results into a somewhat smug affair.
Art has been known to be so vivid and realistic that it can leap off the page, the canvas, et cetera. That saying becomes quite literal for psychotherapist Ruben Brandt, who is experiencing surrealists nightmares of famous paintings torturing him. In order to confront and conquer his fears, Brandt makes a bold choice to steal and obtain each work of art that haunts him, therefore being in full control of whatever is “out” to get…
From Academy Award winning filmmaker Florian Henckel von Donnersmarck (The Lives of Others, The Tourist), Never Look Away chronicles an aspiring artist who grew up during World War II as he learns how to come to terms with his heartbreak and trauma.