Holding his audience in anticipation after winning the Oscar for Best Foreign Language Film (Ida), Pawel Pawlikowski returns with his terrific, new Academy Award nominee Cold War.
Shoplifters is a harrowing film of survival and hope.
The House That Jack Built has a lot to unpack, so thank goodness it’s two-and-a-half hours. Movie goers can compain about long runtimes but if this movie gave us anything shorter, the film would feel cut off at the knees – a fitting analogy for a viscerally grotesque feature.
A modern day fantasy has been in order, and Border could be the answer – for now. Co-writer/director Ali Abbasi provides audiences with a cogent story that doubles as an allegory on minorities and treats its fantastical characters humanely. It’s what Bright aspired to be.
Some of this year’s most endearing performances get buried by Andrew Bujalski’s faulty filmmaking in Support the Girls.
By: Trevor Chartrand By no means a masterpiece, Puzzle is a dramatic character study with some great performances – a quiet, nuanced beauty. Moving at a slow yet even pace, this film assembles the puzzle of these characters’ lives, only to tear it apart – piece by piece.
It has been five years since Michael Haneke’s last film, the Palme d’Or and Oscar-winning Amour. In that time, the world has been witness to ISIS execution videos, murders on Facebook Live, and the livestreaming of someone’s brutal death after an auto accident. With that much material, Haneke has returned with Isabelle Huppert and Jean-Louis Trintignant to gift the world Happy End, a film that looks at modern technology’s ability to capture atrocities, set within…
In the mid-2000’s, a copy of Caché in a Rogers Video would be my introduction to the works of Michael Haneke, and what an introduction it was. I had heard of a shocking moment in Caché, and I was still unprepared for it. A decade later, I had seen every feature that Haneke had made, always salivating for the next. This is why it was such a shock to me when I was told that,…
Set on the sunny California coast, director Matt Spicer’s Ingrid Goes West is a dark critique of social media that manages to hit its mark, despite some minor flaws.