Set in the early-2000s, I Like Movies alternates between the double life of 17-year-old Burlington native Lawrence Kweller (Isiah Lehtinen) as an outspoken high school senior and an obsessive film buff at his local video store, Sequels Video. Lawrence is an opinionated know-it-all under both roofs, but he feels more in his element at Sequels and is elated when they finally hire him on as an employee.
The Good Boss offers a mannered approach to the self-destructive character study; separating it from similar company pitched in a much more frantic, anxiety-inducing tone (Nose to Tail, Uncut Gems).
At the root of a dark comedy is sadness. Some examples may take more effort to trace back to that forlorn emotion, but the premise usually begins with an unfortunate circumstance and then carried beyond the point of comfort or absurdism; ideally to create humour. It’s all about finding amusing, and sometimes inappropriate, ways of interpreting that sadness. And, I Love My Dad is successful most of the time.
My Old School is a peculiar documentary that intrigues audiences with an unconventional narrative gimmick, and further attracts viewers with its strange, entertaining, and deliberately confusing yarn. The movie is, simply, unforgettable.
“Do I like this movie, or do I just like the footage?” I frequently asked myself this during Fire of Love, a documentary about the relationship between volcanologists Katia and Maurice Krafft and their explosive expeditions.
Crossing the relatable narcissism of The Worst Person in the World with the awkward yet well-intentioned heart of Obvious Child, the uniquely titled pregnancy dramedy Ninjababy is an absolute winner.
Produced and completed during our current era of COVID, Apples is a strange and accidentally timely import from Greece, following a vacant mind (Aris Servetalis) during the early stages of a pandemic that’s quietly sweeping over the public. Victims who are affected by the unknown sickness lose their memory at the drop of a hat. Those who don’t have any immediate support are referred to a rehabilitation program for the unidentifiable where they must complete…
While I’m not head-over-heels for Slash/Back, Nyla Innuksuk’s lil’ sci-fi that could, I don’t want the filmmaker to be discouraged by my review. It’s best described as a Northern Canadian Attack The Block, which is an incredible compliment.
Craig Roberts’ The Phantom of the Open, while slightly flawed, is a surefire crowd-pleaser with a clever sense of humour, wholesome wit, and an excellent headliner performance by Oscar winner Mark Rylance (Bridge of Spies).
There’s no denying how uncompromising Into the Weeds: Dewayne “Lee” Johnson vs. Monsanto Company is with its recap of the ongoing legal battle against agriculture company Monsanto (now owned by Bayer). The struggle for justice after Monsanto’s glyphosate was discovered to be extremely hazardous was an exhausting process for the plaintiffs, and documentarian Jennifer Baichwal does not want to skip over any details. But, does this integrity affect the documentary? For me, it did.