Michael Cera

Reviews

Christmas Eve In Miller’s Point

The expectations for contemporary holiday movies is to push feel-good stories that either include a slew of cliched character archetypes (“the busy business woman”, “the hunky but humble woodsman”) or include as many identifiable symbols to represent the season. We see the latter in movies that are casual about Christmas – make a normal, low stakes schmaltz-fest and include a wreath in the background for some shots. Christmas Eve In Miller’s Point is refreshingly different….

Reviews

Dream Scenario

By: Jeff Ching The idea of a random Joe Schmoe appearing in everyone’s dreams is an intriguing premise, but could Dream Scenario’s writer/director Kristoffer Borgli (Sick of Myself) have ever imagined a better set-up than Nicolas Cage portraying this ubiquitous dream character?  The answer to my rhetorical question is a resounding “hell no!”. In fact, at the post-screening Q&A at this year’s TIFF, Cage explained how he easily relates to this character and brought up the meme about himself;…

Reviews

Gloria Bell

Gloria Bell is eventually invigorating.  “Eventually” usually has a negative connotation, but not in the case of Sebastián Lelio’s movie.  After all, the search for one’s identity isn’t going to be easy.

Reviews

Molly’s Game

By: Trevor Chartrand With Molly’s Game, screenwriting veteran Aaron Sorkin ups his career ante, taking a new seat at the table for his directorial debut.  Sorkin already has a massive advantage over most first-time directors, having worked closely with big players like David Fincher and Danny Boyle in the past.  And to top it all off, his ace-in-the-hole is the fact that the first script he brings to the screen is one of his own….

Reviews

Sausage Party

Sausage Party is a shock comedy that’s heavy on “shock” and light on “comedy”.  The film is supposed to subvert clean-cut animated films with inappropriate dialogue and black humour, but ends up becoming a crass and awkward in-joke between the comic cast.

Reviews

Entertainment

By: Addison Wylie The award for this year’s most awkward movie goes to Rick Alverson’s Entertainment, a film rooted in morose career purgatory. Now, the last time I used the term “career purgatory”, it was when I reviewed Lenny Abrahamson’s delightful Frank.  Frank presented the argument that an artist stuck in a creative rut isn’t necessarily the end of the world.  Entertainment proposes a sardonic rebuttal with a comedian (played by real-life alternative comic Gregg Turkington)…