LevelFilm
The Miracle Club
Director Thaddeus O’Sullivan guides The Miracle Club efficiently, successfully telling a period story of four women who bond over the course of a pilgrimage to the French town of Lourdes in search of their own miracles to lend guidance for their medical conditions. Although the story’s devoutness is prominent, it’s mild compared to the focus on the film’s relationships.
Once Upon a Time in Uganda
By: Trevor Chartrand Many B-Movie enthusiasts are likely familiar with the squib-bursting insanity of Who Killed Captain Alex?, the Ugandan action movie with a violent – and loud – viral trailer on YouTube. Shot in an impoverished slum, the film is creative with its budget, which reportedly was less than $200. The movie is absurdly violent. It’s goofy, it’s strange, and it looks and sounds terrible. But, Captain Alex is also a film with a…
Making Time
Liz Unna’s documentary Making Time bounces between subjects who all share a career in watchmaking, and have an overall obsession with time itself. Being a horologist has put life into perspective for these meticulous people, and has issued a number of self-reflections and epiphanies. This collective fascination is the frequency Unna invests all of her storytelling confidence in. Unfortunately, Making Time lacks personal touches as well as a coherency between the doc’s interviewees.
Fashion Reimagined
By: Jolie Featherstone Becky Hutner’s urgent Fashion Reimagined is an important report, rendered through masterful storytelling. Formally hired to edit docs (Revolution, Being Canadian), it’s near impossible to believe that Fashion Reimagined is Hutner’s feature-length documentary directorial debut.
Cascade
By: Trevor Chartrand Cascade does some adequate genre-blending; plucking tropes in such a way that it feels like the film would be right at home if it were released in the 80s. Essentially, the indie boils down to a combination of teenage dramas like The Breakfast Club and a watered-down Rambo.
Mafia Mamma
Mafia Mamma is a badly executed fish-out-of-water movie that features rushed filmmaking and a slipshod script, as well as lavish destination scenery and good-looking men and women practically straddling the leading lady. Not a good look for either director Catherine Hardwicke (Thirteen, Twilight, Miss Bala) or producer/star Toni Collette, who reunite since working together on 2015’s Miss You Already.
Adult Adoption
By: Trevor Chartrand Quirky and surreal, Adult Adoption is the bizarrely unique directorial feature film debut from Karen Knox (star of Letters to Satan Claus). The movie explores its characters with a delicate balance of intrusive empathy, and Knox’s filmmaking is executed in such an uncomfortable way that viewers may feel like they’re trespassing on the intimate details of a person’s private life.