By: Addison Wylie Audiences were given Pompeii earlier this year, a sweeping epic that had Paul W.S. Anderson bumbling his way through a history lesson and throwing every type of  overused trope he could think of towards the paying public.  It was a boneheaded film that was calculated by people solely thinking of what mainstream audiences eat up, yet had no respected consideration towards those who endured Anderson’s mess. What Cinco de Mayo: The Battle…